Whitechapel: Kin
After The Valley, which opened an unprecedented emotional breach in Whitechapel’s sound, the Knoxville band returns with Kin, still produced by Mark…
After The Valley, which opened an unprecedented emotional breach in Whitechapel’s sound, the Knoxville band returns with Kin, still produced by Mark…
Stick to Your Guns return with Spectre, an album that lives up to its name: that of a band seemingly haunted by…
There’s something organic in the way Pigs Pigs Pigs Pigs Pigs Pigs Pigs builds its records, as if each riff grows out…
There’s something exhilarating about the way HEALTH closes the Disco chapter and returns to a more direct, darker sound. Rat Wars arrives…
Green Lung's occult doom takes on London. The press flirts with perfection, the public follows. Consensus: 9/10.
There’s something quite exhilarating about the way SpiritWorld refuses to pick a side. The project led by Stu Folsom doesn’t pretend to…
There’s something obscene about the speed with which Portrayal of Guilt delivers its sentences. Devil Music never tries to settle in, it…
When Venom releases an album at the end of this decade, the exercise is as much about survival as it is about…
James McBain has never hidden his fondness for dirty riffs and blast-beats that reek of spilled beer over a Marshall amp. With…
There’s something almost provocative about a band built on heavy riffs and flamboyant solos choosing, for the duration of one album, to…
Frozen Soul has never hidden its ambition: to embody old-school death metal carved from ice, massive and unadorned, conceived as an advancing…
There is something almost ritualistic about the way Saor opens their albums, and Caledonia follows suit. From the very first bars, the…
There are albums that arrive at just the right moment, carried by a momentum you can feel almost physically from the first…
Some albums announce their direction from the very first minute, and Mire belongs to this category. From the opening measures, Conjurer establishes…
There’s something almost unfair about Paradise Lost’s consistency. After navigating through different styles, electronic experimentation, and extreme returns to their roots, the…
Cryptopsy never needed to reinvent itself to stay dangerous. Since None So Vile, the Montreal band has built its reputation on crushing…
There is something almost brazen in the way Gautier Serre opens this record. After the already extreme stylistic exercise of Savage Sinusoid,…
Released in 2000, after the band’s dissolution, I Know Your Tragedy is not a new studio album but a compilation filling the…
There’s something almost ironic about a record titled Below sometimes sounding so bright. Caleb Shomo has never hidden the fact that his…
With Spiritual Instinct, Alcest leaves Prophecy Productions to join Nuclear Blast, and this label change is almost physically felt in the record’s…
There’s something almost perverse about the way Gorod manages to make complexity enjoyable to listen to. A Maze of Recycled Creeds arrived…
There is something immutable about Fen, a way of constantly returning to that same landscape of marshes and low skies that built…
With Villains, Queens of the Stone Age makes a turn that wasn’t necessarily expected: handing the controls to Mark Ronson, a producer…
There’s something unwavering about Insomnium, a loyalty to a certain idea of sorrow that never truly weakens, album after album. With Heart…
After a self-titled album that had sown doubt among part of their fanbase, Darkest Hour returns in 2017 with a record that…
With The Road Less Travelled, Triosphere closes one chapter and opens another. After a debut album forged in rawer urgency, the Trondheim…
Ten years after For All Kings, Anthrax return. The press applauds, the public trails a notch behind. Consensus: 7.5/10.
It’s hard not to think of a snowstorm suddenly breaking to let through a ray of sunlight: that’s the impression Diorama leaves…
It’s hard to be more direct than this Violent Closure, released by Gel in 2021. This short format, a handful of tracks…
Sabaton returns with Legends, an album that switches record labels without changing its formula: battles, heroic figures, and choruses built for stadium…
It’s hard to approach Feed the Machine without first thinking about what came before its release: a cancelled tour, vocal cord issues…
Cleveland isn’t known for its death metal scene, but 200 Stab Wounds is here to set the record straight with a brutality…
Following the warm welcome given to Godslastering: Hymns of a Forlorn Peasantry, Hulder returns with Verses In Oath, an album that makes…
There’s something almost provocative in the way Der Weg einer Freiheit opens Noktvrn: no gradual build-up, no muffled entry point, but a…
Amon Amarth never reinvents the formula, it polishes it. With Berserker, the Swedish band recovers an energy that hadn’t been felt in…
After traversing vast plains and conquest mythologies on A Romance with Violence, Wayfarer shifts scenery without abandoning its logic. American Gothic trades…