Megadeth — Megadeth
Mustaine's goodbye: 62/100 from critics, 48 from the public. Stumbling off the stage.
Mustaine's goodbye: 62/100 from critics, 48 from the public. Stumbling off the stage.
Zero evolution, maximum execution. The year's best AC/DC record isn't by AC/DC.
Press applauds (77/100), listeners check out (49/100). The season's biggest gap.
Beartooth's pop-rock turn: press applauds (77/100), fans grumble (59/100). Divisive — therefore interesting.
Karevik masterful, formula unchanged: press splits (8/10 vs 2.5/5), consensus lands at 6.5.
More metal, less prog: the press wavers (8/10 vs 5/10), the fanbase checks out. See you at Le Rex in December.
Killer hooks for the press (8.5/10 at Blabbermouth), 53/100 from the public. The great symphonic split.
The metalcore party, bottled: press has fun (75/100), purists sigh. Unapologetic.
Frightening texture, an hour too full: Chambéry black/death impresses without yet crushing.
Deconstructed death metal, 74 minutes of liquid cement: 9/10 versus 2.5/5, the press splits clean.
Muscle, heart and one banger called "Enemy" — but a cold public hearing only the recipe. 7.
Blabbermouth says 9/10, the public says 25/100: the record that captivates musically and repels lyrically.
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
Seventh-circle gutturals versus waning creativity: the press splits, the pit will decide.
Grief spat with venom: great metalcore songs undercut by an over-compressed mix.
Lethal riffs, incendiary solos, Dez back in the game: 70/100 and zero surprises, proudly so.
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
The press hails the comeback (4/5 at Kerrang!), AMG fires a 2/5: round ten for the metalcore veterans.
Symphonic deathcore with hooks: 9/10 on one side, 2.5/5 on the other. The genre glares at itself.
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Rapturous early reviews: "the fury has metastasized". Out September 4.
From Elton John to Dying Fetus, twenty-two wildly uneven reworks: not an album, a flex.
Bordeaux tech-death dares to be vulnerable. The craft is unanimous; the pacing divides.
77/100: the Norwegian black-metal legends deliver a solid if debated record.
Her most accessible album, still haunted. Critics and public aligned at 77/100.
78/100: the Texans' glacial, old-school death metal stays fearsomely effective.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
78/100: the Dutch symphonic-metal act roll out their usual grand spectacle.
78/100: Finnish death/doom in all its melancholic heaviness.
78/100: the English thrash/hardcore crossover hits short, fast and hard.
Hulder softens her black metal: "finest work to date" for one, missed venom for another. 76/100.
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
Spectral blackened death and Brussels industrial: "it does not narrate; it confronts". 7.5 average.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
A torrent of energy from great-grandfathers: 76/100, Purple's best reception in ages.
The German thrash veterans have lost none of their bite: 78/100 for a record cut for the stage.