No Turning Back: Rise from the Ashes
Rise from the Ashes confirms No Turning Back's consistency.
Rise from the Ashes confirms No Turning Back's consistency.
No Turning Back launches its career without detour.
Never Give Up, the motto turned into a record.
Holding On keeps the course with consistency.
Damage Done tightens No Turning Back's strike.
No Time to Waste gets straight to the essential.
Destroy closes the loop with conviction.
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
In 2005, Nile delivered with Annihilation of the Wicked one of the absolute summits of technical death metal. The South Carolina band…
86/100: the Finns push their cinematic symphonic metal to new heights.
It’s hard to approach Feed the Machine without first thinking about what came before its release: a cancelled tour, vocal cord issues…
Released in 2005, All the Right Reasons is Nickelback’s best-selling record and one of the symbols of the decade’s mainstream rock, certified…
With Outcry, released in 2022, Never Ending Game stakes out a no-compromise vision of hardcore. The band, sprung from the Michigan scene,…
Resurrection with Aaron Turner, 89/100: 2026's best-rated metal record is a Neurosis album.
Nine years after Onset of Putrefaction, Muhammed Suicmez rebuilt Necrophagist around a top-tier lineup and delivered, in 2004, a record that would…
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
With Shokka, released in 2015, Nasty reaffirms its standing among the leading names of European beatdown hardcore. Since the band’s early days,…
A defining figure of European beatdown, Nasty established itself over the years as one of the most uncompromising bands on the continent.…
Scum, released on Earache in 1987, is a founding record in the most literal sense there is: it lays the very groundwork…
My Dying Bride’s second album, released on Peaceville in 1993, marks a decisive turn for the young death doom movement. Where many…
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
With XIII (2003), Mushroomhead delivers a dense, theatrical nu metal, faithful to the masked, percussive aesthetic that sets the Cleveland band apart.…
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
With L.D. 50, released in 2000, Mudvayne makes a jarring, explosive entrance into the nu metal landscape. Far from the simplicity of…
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
Motorhead’s fourth studio album, Ace of Spades (1980), is the record that made the English trio a legend. Produced by Vic Maile,…
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
There’s something exhilarating about the way Mother Vulture refuses to settle down. On Mother Knows Best, the Bristol band condenses the stage…
80/100: the Britons' high-octane rock'n'roll reeks of sweat and the stage.
Thomas Eriksen never truly deviates from his path, and that’s precisely what makes Mork fascinating to follow year after year. With Syv,…
80/100: Thomas Eriksen's old-school Norwegian black metal keeps the tradition alive with class.
Morbid Angel’s debut, Altars of Madness, stands in 1989 as one of the founding acts of Florida death metal. Fast, chaotic and…
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100), but the gap with the public marks it as divisive.
It’s hard not to think of a snowstorm suddenly breaking to let through a ray of sunlight: that’s the impression Diorama leaves…
Released in 2005, Witness is the record that brought Modern Life Is War into the legend of 2000s hardcore. Coming from Iowa,…