Reveille: Laced
Released on Elektra, Laced marks the commercial peak of Boston band Reveille, carried by the single Comin’ Down, which appeared on video…
Released on Elektra, Laced marks the commercial peak of Boston band Reveille, carried by the single Comin’ Down, which appeared on video…
83/100: the death-metal supergroup (ex-Pestilence, Asphyx) hits hard on its debut.
With its self-titled album released in 2022, Regulate confirms that you can play New York hardcore without simply copying its codes. The…
Released in 1995 on Epitaph, …And Out Come the Wolves is Rancid’s third album and the peak of the Berkeley band’s path.…
Released in 1976 on Sire, the Ramones’s self-titled debut is one of the birth certificates of punk rock. Recorded quickly and on…
The third album from Berlin’s Rammstein, Mutter, confirmed the band’s international status in 2001. A pillar of Neue Deutsche Harte, this record…
Released in 1976, Rising is the second album by Rainbow, the band led by guitarist Ritchie Blackmore after his departure from Deep…
With their self-titled debut released in 2000, Raging Speedhorn delivered an uncompromising slab of British sludge metal, driven by the trademark dual-vocalist…
Rage Against the Machine’s debut lands like a manifesto, fusing rap, metal and funk into a blast of raw energy. From Bombtrack…
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
The third album by the American band Queensryche, Operation: Mindcrime, released in 1988, is a rock opera that left a lasting mark…
With Villains, Queens of the Stone Age makes a turn that wasn’t necessarily expected: handing the controls to Mark Ronson, a producer…
Josh Homme reopens the wound and delivers a sharp record: 80/100 for the sneering return of the Californians.
The New Yorkers' organised chaos reaches its point of incandescence: 84/100 for a suffocating record.
81/100: the English trio confirm their mathcore, as technical as it is emotional.
Come Clean crystallises the catchiest post-grunge of the early 2000s. Puddle of Mudd wear their lineage openly, balancing gritty guitars with easily…
More than twenty years of Tasmanian tech death, and still the same reliability: 75/100 from the critics, 75/100 from the public, it…
81/100: the Belgian trio broaden their progressive, spiritual post-metal further.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
Released in 2000, Introduction to Mayhem is the first major album by Primer 55, a Mississippi band arriving in the full fervor…
Released in 1999, Tonight the Stars Revolt! stands as the high point of Powerman 5000. Fronted by Spider One, brother of Rob…
A supergroup uniting Cypress Hill’s Sen Dog, Biohazard’s Billy Graziadei, plus Christian Olde Wolbers and Roy Mayorga of Fear Factory pedigree, Powerflo…
Released in 1985, Seven Churches is very regularly cited as the very first death metal album in history, or at least as…
There’s something obscene about the speed with which Portrayal of Guilt delivers its sentences. Devil Music never tries to settle in, it…
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
Poppy has always mastered the art of the split personality: the porcelain doll who whispers and the beast who roars, often within…
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
With www.pitchshifter.com, released in 1998, Britain’s Pitchshifter undergo a radical, visionary transformation. Far from their grindcore and pure industrial roots, the band…
There’s something organic in the way Pigs Pigs Pigs Pigs Pigs Pigs Pigs builds its records, as if each riff grows out…
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
It’s hard to approach a Persefone album without thinking of the long shadow cast by Aathma and Spiritual Migration, two landmarks that…
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
Released on Epitaph in 1995, About Time is Pennywise’s third album and probably the one where the Hermosa Beach quartet hits top…
Parkway Drive arrives with a metalcore as heavy as it is melodic.
Ire reinvents Parkway Drive and divides as much as it seduces.