Fear Factory: Demanufacture
Fear Factory’s second album, Demanufacture, imposed in 1995 a futuristic and implacable vision of metal. The Los Angeles band here perfects its…
Fear Factory’s second album, Demanufacture, imposed in 1995 a futuristic and implacable vision of metal. The Los Angeles band here perfects its…
Morbid Angel’s debut, Altars of Madness, stands in 1989 as one of the founding acts of Florida death metal. Fast, chaotic and…
The third album by California’s Kyuss, Welcome to Sky Valley (1994), is often regarded as the cornerstone of desert rock. Born from…
Few albums carry a history as legendary as Sleep’s Dopesmoker. Recorded in the 1990s but released in full in 2003, this record…
Blind Guardian’s sixth album, Nightfall in Middle-Earth, released in 1998, is a summit of European power metal. Conceived as a concept album…
Slipknot’s second studio album, Iowa, arrived carried by the meteoric success of the debut and an exhausting tour. Recorded again with producer…
The third album from Berlin’s Rammstein, Mutter, confirmed the band’s international status in 2001. A pillar of Neue Deutsche Harte, this record…
Iron Maiden’s third album, The Number of the Beast (1982), is the record of transformation. It is the first with Bruce Dickinson…
Released in 1980, Fresh Fruit for Rotting Vegetables is the Dead Kennedys’s first album and one of the most incisive records of…
Released in 1992, Vulgar Display of Power is the record that locked in Pantera’s definitive identity. Having shed the glam of its…
Few albums lend their name to an entire subgenre. Epicus Doomicus Metallicus (1986), the debut by Sweden’s Candlemass, is one of them:…
Released in 2008 on Nuclear Blast, obZen marks a turning point in the story of modern extreme metal. After more than fifteen…
My Dying Bride’s second album, released on Peaceville in 1993, marks a decisive turn for the young death doom movement. Where many…
With Heartwork in 1993, Carcass completed a mutation begun on Necroticism. The Liverpool band, pioneers of goregrind with their early records and…
Released in 2014, The Satanist is truly Behemoth’s rebirth album. Recorded after frontman Nergal overcame a leukemia that nearly cost him his…
In 1987 Bathory, the Swedish project driven by Quorthon, released Under the Sign of the Black Mark, a third album that ranks…
Released in 1982, originally on cassette, Bad Brains’ debut is one of the most explosive records in the history of punk. The…
Released in 1999, We Are the Romans is the second and final studio album from the Tacoma band, and it stands as…
Released in 1999, Calculating Infinity, the debut album from the New Jersey band, redefined what extreme metal could attempt. The Dillinger Escape…
Few bands have left a mark as deep in as little time as Minor Threat. Out of Step, released in 1983, condenses…
How do you sum up a band that seems to contain several universes at once? With I Against I, released in 1986,…
Some records are a punch in the face, others a burst of sunshine. Start Today, released in 1989, belongs to that rare…
Few records distill an entire scene into a handful of songs. The Age of Quarrel, released in 1986, is one of them.…
89/100: the new benchmark for modern metalcore, driven by Courtney LaPlante's extraordinary voice.
The first masterpiece: Moby Dick rewritten in metal, a world-record.
The progressive summit: astral travel, Rasputin and grief, a shattering record.
The perfect balance: heaviness and grace reconciled, a near-masterpiece.
88/100: the Victorian-psychedelic English collective deliver their maddest black metal.
93/100: the Norwegians' long-awaited return opens at the top of the aggregates.
89/100 across fifteen reviews: the kings of modern hardcore/metalcore deliver a genre peak.
88/100: the New Zealanders of dissonant death metal deliver their masterpiece.
The masterpiece of consecration: a world-record on the death and rebirth of the Earth.
The peak of a death metal turned discourse: 89/100 for a work where ecological apocalypse becomes music.
The Americans reconcile old-school death metal and progressive freedom: 88/100 for a record of rare elegance.
The Norwegians transfigure black metal into a psychedelic voyage: 89/100 for an avant-garde work.
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.