Amon Amarth — The Great Heathen Army
The Swedish Vikings go to war again with the same axe: 78/100 for a record faithful to its legend.
The Swedish Vikings go to war again with the same axe: 78/100 for a record faithful to its legend.
The founding fathers of Gothenburg hold their rank despite the departures: 78/100 for a controlled renewal.
The Swedish cult fully embraces the stadium and pop: 78/100 for an ambitious, divisive record.
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
Eight years away, back at 81/100: the symphonic black throne reclaimed, the scissors forgotten.
Zero surprises, ferocious execution: 75/100 for veterans proving hardcore is in rude health.
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
Cathartic black metal goes luminous metalcore: press won over (74), faithful betrayed (60). Debate open.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100) — but the gap with the public marks it as divisive.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
79/100 across twenty reviews: the drone kings' self-titled album, a mass of low frequencies.
83/100: the improbable return of the 1990s chaotic-metalcore pioneers.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
81/100: the Canadian tech-death masters hold their rank.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
79/100: the English goth/doom godfathers confirm a second youth.
81/100: the inventors of European power metal, reunited, keep the flame.
80/100: the English progressive-sludge outfit confirm the hype.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: death metal's fastest Canadians push the tempo limits again.
83/100: the Canadian polymath delivers another oversized, generous opus.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
82/100: Finnish pagan black metal in all its epic splendour.
83/100: the English weave atmospheric black metal steeped in landscape and history.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
79/100: the English godfathers who named black metal keep the house standing.
80/100: Stu Folsom's "death western", dusty thrash and dried blood.
79/100 across eight reviews: the Angelenos push their industrial noise toward apocalyptic pop.