Saliva: Every Six Seconds
With Every Six Seconds, Saliva lock in the formula that would make them recognisable: a big-canvas nu metal fuelled by arena-sized hooks…
With Every Six Seconds, Saliva lock in the formula that would make them recognisable: a big-canvas nu metal fuelled by arena-sized hooks…
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
There is something almost ritualistic about the way Saor opens their albums, and Caledonia follows suit. From the very first bars, the…
Released in 1996, Nemesis Divina is Satyricon’s third album and one of the great records of the second Norwegian wave. The duo…
Released in 1987, Hall of the Mountain King marks a turning point for Savatage. The Florida band, led by the Oliva brothers,…
Hardcore throws its windows open to grunge and pop: 82/100 for a record mid-moult.
Seether’s debut, Disclaimer (2002), places the South African trio firmly within the early-2000s post-grunge movement. It offers thick guitars, a raw vocal…
Released in 1994, Stacked Up remains the peak of British band Senser and one of the most original records in European crossover.…
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
Released in 1997, Sevendust’s self-titled debut reveals a band already fully in command of its identity. The Atlanta quintet shapes an alternative…
Released in 2002, The Art of Balance is Shadows Fall’s third album and is often considered its peak. The Massachusetts band perfects…
Released in 2004, The War Within stands as the commercial and creative peak of Shadows Fall, the Massachusetts band that played a…
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
With The Sound of Madness (2008), Shinedown sharpens its hard rock formula and clearly aims for the arenas. The record leans on…
New York hardcore reinvented with banjo and grime: 80/100 for a harsh, communal record.
80/100: the Danes fuse metalcore, pop and saxophone into a surprisingly addictive blend.
Siamese has never hidden its ambition to blur the boundaries between metalcore, pop and alternative rock, and Elements pushes this logic of…
Released in 1989, Blood, Sweat and No Tears is Sick of It All’s debut album and one of the founding documents of…
Released in 1997, Built to Last is Sick of It All’s fourth album and one of the peaks of their major-label years.…
By 1994, Sick of It All was no longer a well kept secret of the Lower East Side. The band was carrying…
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
Skindred’s debut, Babylon imposed in 2004 an explosive, instantly recognizable formula: ragga metal. Born from the ashes of Dub War, the Welsh…
Released in 2001 on Epic Records, New Killer America captures the Florida nu-metal wave at its most frontal. Skrape deploys massive riffs,…
Released the same year as Master of Puppets, Slayer’s Reign in Blood took the opposite road: ten tracks, under thirty minutes, no…
The masked collective turn metal into a love liturgy: 84/100 for a third album impossible to file.
Few albums carry a history as legendary as Sleep’s Dopesmoker. Recorded in the 1990s but released in full in 2003, this record…
80/100, a Distorted Sound 10/10 and no dissenting voice: Toulouse rules the cosmos.
Slipknot’s second studio album, Iowa, arrived carried by the meteoric success of the debut and an exhausting tour. Recorded again with producer…
The California trio’s debut, this 2003 self-titled record captures the teenage angst of the early decade with sincere brutality. Driven by the…
The only studio album released during Lynn Strait’s lifetime, Get Some captures all the chaotic energy of the Santa Barbara band. An…
In 1990, Social Distortion released its self titled album, the band’s first record for a major label after more than a decade…
Sodom’s third full-length, Agent Orange is where the Herne trio stopped simply bludgeoning and learned to strike with cold accuracy. Harris Johns’…
The Swedes refine their melodic progressive metal: 80/100 for a limpid, committed record.
More metal, less prog: the press wavers (8/10 vs 5/10), the fanbase checks out. See you at Le Rex in December.
Released in 2001, Scars is the album that settled Soil into the mainstream nu metal courtyard, propelled by the single Halo, an…