Amyl and the Sniffers : Cartoon Darkness
The Australians broaden their horizon without losing any of their rage: 84/100 for their most accomplished record.
The Australians broaden their horizon without losing any of their rage: 84/100 for their most accomplished record.
Eleven albums, zero fatigue: 84/100 for technical metalcore's safest bet.
A noisy, devastating portrait of the deep American South: 86/100 for one of the records of the year.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
Hardcore meets the gothic: 84/100 for a collaboration as improbable as it is spellbinding.
Tompa Lindberg's posthumous farewell: 85/100, Kerrang! and AMG at full marks. Exit through the front door.
Thirty-five years, zero drop-off: 85/100 for a direct and devastating death metal statement.
Four 9/10s and a trip into "the obsidian kaleidoscope": 87/100, the winter's extreme-metal peak.
Three perfect scores and 87/100 across 13 reviews: hardcore's elder statesmen still have no rival.
Three 9/10s and a « modern classic » tag: symphonic black metal gets its delusions of grandeur back. 84/100.
The Note confirms Bane at the peak of its craft.
There’s something almost absurd about watching a band so deeply rooted in extreme technicality continue, album after album, to push beyond what…
With Jenseits, Finsterforst closes a cycle begun years ago around the Black Forest and its legends, and does so with an scope…
It’s hard to approach a Persefone album without thinking of the long shadow cast by Aathma and Spiritual Migration, two landmarks that…
With Veleno, Fleshgod Apocalypse closes one chapter and opens another. The Perugia band reunites with its singer and rhythm guitarist on lead…
With Ámr, Ihsahn pulls back some of the doors he had opened on previous records. Gone is the omnipresent saxophone, the sprawling…
There is something almost miraculous in the way Judas Priest managed, with this record, to rediscover an energy we thought was reserved…
There’s something almost pop in certain passages of this record, and it’s precisely what both troubles and fascinates in equal measure. Thou…
Uniform has never sought comfort, but with Shame, the New York band pushes discomfort to an almost physical breaking point. Released on…
There are records that don’t seek to surprise but to deepen a groove already laid out, and Auer belongs to that category.…
There is something profoundly English in the way A Forest of Stars treats death: with a wry smile, a touch of Victorian…
There is something profoundly unsettling about the way Bizarrekult manages to blend raw rage with an almost chamber-like melancholy. Den Tapte Krigen…
With The Accuser, Abigail Williams closes one chapter and opens another in the same breath. Ken Sorceron’s band spent years shedding its…
With Omega, Epica closes what the band presents as a trilogy started years earlier, and the album carries this ambition like a…
There’s something organic in the way Pigs Pigs Pigs Pigs Pigs Pigs Pigs builds its records, as if each riff grows out…
There’s something exhilarating about the way HEALTH closes the Disco chapter and returns to a more direct, darker sound. Rat Wars arrives…
There’s something obscene about the speed with which Portrayal of Guilt delivers its sentences. Devil Music never tries to settle in, it…
There is something almost ritualistic about the way Saor opens their albums, and Caledonia follows suit. From the very first bars, the…
There are albums that arrive at just the right moment, carried by a momentum you can feel almost physically from the first…
Some albums announce their direction from the very first minute, and Mire belongs to this category. From the opening measures, Conjurer establishes…
There is something almost brazen in the way Gautier Serre opens this record. After the already extreme stylistic exercise of Savage Sinusoid,…
With Spiritual Instinct, Alcest leaves Prophecy Productions to join Nuclear Blast, and this label change is almost physically felt in the record’s…
There’s something almost perverse about the way Gorod manages to make complexity enjoyable to listen to. A Maze of Recycled Creeds arrived…
There’s something unwavering about Insomnium, a loyalty to a certain idea of sorrow that never truly weakens, album after album. With Heart…
It’s hard not to think of a snowstorm suddenly breaking to let through a ray of sunlight: that’s the impression Diorama leaves…
Billed as Godflesh's penultimate record, Decay earns a rare alignment of press and public. Consensus: 8/10.