Employed to Serve — Conquering
British rage turns more hymnal without losing its bite: 82/100 for an ambitious metalcore.
British rage turns more hymnal without losing its bite: 82/100 for an ambitious metalcore.
The insatiable Japanese replay their riff library with glee: 80/100 for a third "Heavy Rocks".
The Belgian steamroller invites its peers to a gore feast: 79/100 for a death metal as swift as it is well-signposted.
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
"Heavy as fuck": 78/100 for the Floridian demolition machine, tried-and-true formula included.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
Eleven reviews, 81/100: the best Lamb Of God since Wrath, and almost nobody argues otherwise.
Thirteen years of waiting, 78/100, press and public aligned: "the bar for progressive metal in 2026" per Metal Hammer.
Press anoints it (85/100), public checks out (65): the year's widest critics-fans gap.
Rapturous early reviews: "the fury has metastasized". Out September 4.
From Elton John to Dying Fetus, twenty-two wildly uneven reworks: not an album, a flex.
Bordeaux tech-death dares to be vulnerable. The craft is unanimous; the pacing divides.
77/100: the Norwegian black-metal legends deliver a solid if debated record.
Her most accessible album, still haunted. Critics and public aligned at 77/100.
78/100: the Texans' glacial, old-school death metal stays fearsomely effective.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
78/100: the Dutch symphonic-metal act roll out their usual grand spectacle.
78/100: Finnish death/doom in all its melancholic heaviness.
78/100: the English thrash/hardcore crossover hits short, fast and hard.
Hulder softens her black metal: "finest work to date" for one, missed venom for another. 76/100.
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
Spectral blackened death and Brussels industrial: "it does not narrate; it confronts". 7.5 average.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
A torrent of energy from great-grandfathers: 76/100, Purple's best reception in ages.
The German thrash veterans have lost none of their bite: 78/100 for a record cut for the stage.
The Swedish Vikings go to war again with the same axe: 78/100 for a record faithful to its legend.
The founding fathers of Gothenburg hold their rank despite the departures: 78/100 for a controlled renewal.
The Swedish cult fully embraces the stadium and pop: 78/100 for an ambitious, divisive record.
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
Eight years away, back at 81/100: the symphonic black throne reclaimed, the scissors forgotten.
Zero surprises, ferocious execution: 75/100 for veterans proving hardcore is in rude health.
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
Cathartic black metal goes luminous metalcore: press won over (74), faithful betrayed (60). Debate open.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
The metalcore party, bottled: press has fun (75/100), purists sigh. Unapologetic.
Frightening texture, an hour too full: Chambéry black/death impresses without yet crushing.