The HU — HUN
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
The grand return of the Swedish garage-rock dandies: 80/100 for a record of pure adrenaline.
85/100: the wildest mathcore around reaches an unexpected maturity.
81/100: the heaviest deathcore veterans keep digging their nihilistic furrow.
85/100: the Dutch progressive-djent pioneers deliver a highly praised return.
The British atmospheric-djent band deliver their most accomplished record: 86/100.
Zero surprises, ferocious execution: 75/100 for veterans proving hardcore is in rude health.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
The Finnish masters of sorrow find an unexpected glimmer: 81/100 for a record brighter than usual.
Fury and light in the service of the intimate: 85/100 for a devastating record on mental health.
79/100 across twenty reviews: the drone kings' self-titled album, a mass of low frequencies.
82/100 across ten reviews: the meeting of Sumac's tectonic sludge and Moor Mother's poetry.
The architects of technical death metal hold their course: 80/100 for a controlled return.
83/100: the Californian melodic-hardcore veterans hit true and hard.
British post-hardcore is reborn under a nervy pen: 81/100 for an ambitious debut album.
80/100: the Americans' technical, brutal death metal impresses with its density.
Two reviews, zero real objections and a 8.5/10: Maine's bruised love letter to melodic hardcore.
80/100: Stu Folsom's "death western", dusty thrash and dried blood.
89/100: the new benchmark for modern metalcore, driven by Courtney LaPlante's extraordinary voice.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
86/100: the Australians inject wild energy and positivity into hardcore.
Quebecois black metal in its sharpest form: 85/100 for a record of undiminished fury.
Hardcore as political and vital cry: 87/100 for a record of burning urgency.
More metal, less prog: the press wavers (8/10 vs 5/10), the fanbase checks out. See you at Le Rex in December.
The Swedes refine their melodic progressive metal: 80/100 for a limpid, committed record.
80/100, a Distorted Sound 10/10 and no dissenting voice: Toulouse rules the cosmos.
The masked collective turn metal into a love liturgy: 84/100 for a third album impossible to file.
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
80/100: the Danes fuse metalcore, pop and saxophone into a surprisingly addictive blend.
New York hardcore reinvented with banjo and grime: 80/100 for a harsh, communal record.
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
Hardcore throws its windows open to grunge and pop: 82/100 for a record mid-moult.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
The season's best-reviewed record: 83/100, zero reservations. Instrumental post-metal at its peak.