Portrayal of Guilt: …Beginning of The End
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
There’s something obscene about the speed with which Portrayal of Guilt delivers its sentences. Devil Music never tries to settle in, it…
Released in 1985, Seven Churches is very regularly cited as the very first death metal album in history, or at least as…
A supergroup uniting Cypress Hill’s Sen Dog, Biohazard’s Billy Graziadei, plus Christian Olde Wolbers and Roy Mayorga of Fear Factory pedigree, Powerflo…
Released in 1999, Tonight the Stars Revolt! stands as the high point of Powerman 5000. Fronted by Spider One, brother of Rob…
Released in 2000, Introduction to Mayhem is the first major album by Primer 55, a Mississippi band arriving in the full fervor…
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
81/100: the Belgian trio broaden their progressive, spiritual post-metal further.
More than twenty years of Tasmanian tech death, and still the same reliability: 75/100 from the critics, 75/100 from the public, it…
Come Clean crystallises the catchiest post-grunge of the early 2000s. Puddle of Mudd wear their lineage openly, balancing gritty guitars with easily…
81/100: the English trio confirm their mathcore, as technical as it is emotional.
The New Yorkers' organised chaos reaches its point of incandescence: 84/100 for a suffocating record.
Josh Homme reopens the wound and delivers a sharp record: 80/100 for the sneering return of the Californians.
With Villains, Queens of the Stone Age makes a turn that wasn’t necessarily expected: handing the controls to Mark Ronson, a producer…
The third album by the American band Queensryche, Operation: Mindcrime, released in 1988, is a rock opera that left a lasting mark…
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
Rage Against the Machine’s debut lands like a manifesto, fusing rap, metal and funk into a blast of raw energy. From Bombtrack…
With their self-titled debut released in 2000, Raging Speedhorn delivered an uncompromising slab of British sludge metal, driven by the trademark dual-vocalist…
Released in 1976, Rising is the second album by Rainbow, the band led by guitarist Ritchie Blackmore after his departure from Deep…
The third album from Berlin’s Rammstein, Mutter, confirmed the band’s international status in 2001. A pillar of Neue Deutsche Harte, this record…
Released in 1976 on Sire, the Ramones’s self-titled debut is one of the birth certificates of punk rock. Recorded quickly and on…
Released in 1995 on Epitaph, …And Out Come the Wolves is Rancid’s third album and the peak of the Berkeley band’s path.…
With its self-titled album released in 2022, Regulate confirms that you can play New York hardcore without simply copying its codes. The…
83/100: the death-metal supergroup (ex-Pestilence, Asphyx) hits hard on its debut.
Released on Elektra, Laced marks the commercial peak of Boston band Reveille, carried by the single Comin’ Down, which appeared on video…
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Pennsylvania death metal opens to saxophone and introspection: 83/100 for a daring record.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
Rotting Christ’s ninth album, Theogonia (2007), marks a decisive step in the maturation of the Greek band led by Sakis Tolis. Having…
The Chicago instrumental trio harden their tone: 82/100 for a rougher, denser record.
The season's best-reviewed record: 83/100, zero reservations. Instrumental post-metal at its peak.
With Carolus Rex, released in 2012, the Swedish band Sabaton takes on a subject as ambitious as it is unusual for them:…
Sabaton returns with Legends, an album that switches record labels without changing its formula: battles, heroic figures, and choruses built for stadium…
The third album by America’s Saint Vitus, Born Too Late (1986), marks a major turning point: the arrival of singer Scott Wino…