Zulu — A New Tomorrow
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.
The negro spiritual meets black metal: 82/100 for a third album consolidating a stroke of genius.
The English band flee the post-punk cliché and embrace excess: 82/100 for an audacious second album.
80/100: the Belgians' ritual doom summons ancient Mesopotamia in sonic trance.
Singaporean grindcore reaches peaks of expressiveness: 85/100 for a record as violent as it is heartrending.
Three 9/10s and a « modern classic » tag: symphonic black metal gets its delusions of grandeur back. 84/100.
Twenty years in, their best album — "the devil's work!": 80/100, a rare doom communion.
83/100: the English weave atmospheric black metal steeped in landscape and history.
The Belgians broaden their palette without losing their edge: 83/100 for a black metal mid-moult.
79/100: the Tennessee deathcore kings reconnect with pure brutality.
When the saxophone haunts black metal: 85/100 for a Ukrainian record of nocturnal beauty.
The Britons of independent metalcore persevere: 80/100 for a combative, sincere record.
A noisy, devastating portrait of the deep American South: 86/100 for one of the records of the year.
Black metal turned crepuscular western: 84/100 for a fresco on the myth of the American West.
Twenty years away, 87/100 and a Kerrang! 5/5: the year's most devastating doom comeback.
The Danes wed djent, pop and electronics with grace: 81/100 for an immediate, refined record.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
85/100: the Americans' furious tech-death impresses with its controlled violence.
Frightening texture, an hour too full: Chambéry black/death impresses without yet crushing.
Swedish social satire hits a new peak of causticity: 82/100 for a record as funny as it is disquieting.
Violence in the service of a message: 83/100 for a British death metal as ferocious as it is lucid.
79/100: the English godfathers who named black metal keep the house standing.
84/100: the Britons confirm a heavy, melodic and ambitious metal.
86/100: the Americans wed heavy metal and gothic post-punk with rare elegance.
87/100: the New York duo push their industrial noise toward a suffocating intensity.
The new guard of old-school death metal embrace their heritage: 82/100 for a jubilant, uncomplexed record.
88/100: the New Zealanders of dissonant death metal deliver their masterpiece.
From Elton John to Dying Fetus, twenty-two wildly uneven reworks: not an album, a flex.
Hardcore reinvented as broad-daylight music: 89/100 for the album that dragged the genre out of the basement.
93/100: the Norwegians' long-awaited return opens at the top of the aggregates.
The Canadians shed their skin without disowning it: 87/100 for a death metal that opens to the cosmos while keeping its mire.
85/100 across twelve reviews: the Louisiana sludge crew deliver their most direct, raging record.
83/100: the Mexican sisters' trio confirm their powerful, melodic hard rock.
81/100: the Irish fuse metal and traditional music with contagious energy.
A compilation dressed as a self-titled album — but the songs are strong enough for 80/100.
The German collective close their geological fresco with restraint: 82/100 for a record more atmospheric than ever.