1914 — Where Fear and Weapons Meet
The Great War set to music: 82/100 for a brutal, documented record on the horror of the trenches.
The Great War set to music: 82/100 for a brutal, documented record on the horror of the trenches.
83/100: the Americans' old-school, gory death metal hits with contagious glee.
88/100: the Victorian-psychedelic English collective deliver their maddest black metal.
80/100: the Briton weaves a dark, cinematic rock of rare beauty.
80/100: Ken Sorceron's American atmospheric black metal continues its evolution.
The Belgian steamroller invites its peers to a gore feast: 79/100 for a death metal as swift as it is well-signposted.
86/100: the Californian "ecstatic black metal" crew turn darkness into light.
Zero evolution, maximum execution. The year's best AC/DC record isn't by AC/DC.
The father of blackgaze finds the light again: 84/100 for a record of luminous grace.
Muscle, heart and one banger called "Enemy" — but a cold public hearing only the recipe. 7.
Deconstructed death metal, 74 minutes of liquid cement: 9/10 versus 2.5/5, the press splits clean.
Press anoints it (85/100), public checks out (65): the year's widest critics-fans gap.
The Belgians' sonic ritual reaches a new intensity: 84/100 for a record of liturgical gravity.
The Swedish Vikings go to war again with the same axe: 78/100 for a record faithful to its legend.
The Finns continue their mythological epic without ever faltering: 82/100 for a fourteenth album of sovereign breadth.
The Australians broaden their horizon without losing any of their rage: 84/100 for their most accomplished record.
The Dutch band's diaphanous melancholy reaches its purest form: 82/100 for a blackgaze of mist.
The instrumental trio push the limits of the guitar: 82/100 for a record of dizzying virtuosity.
83/100: death metal's fastest Canadians push the tempo limits again.
Cosmic death metal reaches its most accomplished form: 83/100 for a record at once cold and dizzying.
83/100: the Britons' atmospheric metalcore grows even broader.
An avant-garde firebrand against social injustice: 87/100 for one of the most original records of the year.
Tompa Lindberg's posthumous farewell: 85/100, Kerrang! and AMG at full marks. Exit through the front door.
The press hails the comeback (4/5 at Kerrang!), AMG fires a 2/5: round ten for the metalcore veterans.
Eleven albums, zero fatigue: 84/100 for technical metalcore's safest bet.
The pioneers of putrid death metal stay true to their grime: 81/100 for a record of gleeful insalubrity.
The Americans pursue their melodic metamorphosis: 80/100 for an accessible, colourful record, not without risks.
Beartooth's pop-rock turn: press applauds (77/100), fans grumble (59/100). Divisive — therefore interesting.
A single eighty-three-minute piece, suspended outside time: 84/100 for a monument of slowness.
The supergroup born of Every Time I Die hits hard: 82/100 for a record of jubilant violence.
The Americans reconnect with their 2007 masterpiece: 82/100 for an outsized prog fresco.
Killer hooks for the press (8.5/10 at Blabbermouth), 53/100 from the public. The great symphonic split.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
83/100: Bizarrekult's melodic, modern Norwegian black metal wins over listeners.
85/100: Sgah'gahsowáh's atmospheric, Native American black metal keeps fascinating.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.