Vitriol — Suffer & Become
85/100: the Americans' furious tech-death impresses with its controlled violence.
85/100: the Americans' furious tech-death impresses with its controlled violence.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
The Danes wed djent, pop and electronics with grace: 81/100 for an immediate, refined record.
Twenty years away, 87/100 and a Kerrang! 5/5: the year's most devastating doom comeback.
Black metal turned crepuscular western: 84/100 for a fresco on the myth of the American West.
A noisy, devastating portrait of the deep American South: 86/100 for one of the records of the year.
The Britons of independent metalcore persevere: 80/100 for a combative, sincere record.
When the saxophone haunts black metal: 85/100 for a Ukrainian record of nocturnal beauty.
79/100: the Tennessee deathcore kings reconnect with pure brutality.
The Belgians broaden their palette without losing their edge: 83/100 for a black metal mid-moult.
83/100: the English weave atmospheric black metal steeped in landscape and history.
Twenty years in, their best album — "the devil's work!": 80/100, a rare doom communion.
Three 9/10s and a « modern classic » tag: symphonic black metal gets its delusions of grandeur back. 84/100.
Singaporean grindcore reaches peaks of expressiveness: 85/100 for a record as violent as it is heartrending.
80/100: the Belgians' ritual doom summons ancient Mesopotamia in sonic trance.
The English band flee the post-punk cliché and embrace excess: 82/100 for an audacious second album.
The negro spiritual meets black metal: 82/100 for a third album consolidating a stroke of genius.
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.