Persefone — Lingua Ignota: Part I
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
86/100: the Americans wed heavy metal and gothic post-punk with rare elegance.
Muscle, heart and one banger called "Enemy" — but a cold public hearing only the recipe. 7.
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
83/100: the Americans' old-school, gory death metal hits with contagious glee.
83/100: the American melodic-metalcore veterans hit a brilliant new form.
84/100: the Germans, masters of technical brutal death, push the genre's limits.
Blabbermouth says 9/10, the public says 25/100: the record that captivates musically and repels lyrically.
85/100: the Americans' epic doom summons the grandeur of metal's origins.
84/100: the Americans' turbocharged grindcore gives no respite.
The "strongest album in a 22-year career" — bloat included. 78/100 for the Black Forest.
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
Two reviews, zero real objections and a 8.5/10: Maine's bruised love letter to melodic hardcore.
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
Seventh-circle gutturals versus waning creativity: the press splits, the pit will decide.
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
Grief spat with venom: great metalcore songs undercut by an over-compressed mix.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
Spectral blackened death and Brussels industrial: "it does not narrate; it confronts". 7.5 average.
The peak of a death metal turned discourse: 89/100 for a work where ecological apocalypse becomes music.
The Americans reconcile old-school death metal and progressive freedom: 88/100 for a record of rare elegance.
The Norwegians transfigure black metal into a psychedelic voyage: 89/100 for an avant-garde work.
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.
Lethal riffs, incendiary solos, Dez back in the game: 70/100 and zero surprises, proudly so.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
The British atmospheric-djent band deliver their most accomplished record: 86/100.
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
A compilation dressed as a self-titled album — but the songs are strong enough for 80/100.
Twenty years in, their best album — "the devil's work!": 80/100, a rare doom communion.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.