Converge — Hum Of Hurt
"No leftovers here; 2 for 2": Converge's second 2026 album equals the first by digging elsewhere.
"No leftovers here; 2 for 2": Converge's second 2026 album equals the first by digging elsewhere.
The Australians broaden their horizon without losing any of their rage: 84/100 for their most accomplished record.
Eleven albums, zero fatigue: 84/100 for technical metalcore's safest bet.
A noisy, devastating portrait of the deep American South: 86/100 for one of the records of the year.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
Hardcore meets the gothic: 84/100 for a collaboration as improbable as it is spellbinding.
Tompa Lindberg's posthumous farewell: 85/100, Kerrang! and AMG at full marks. Exit through the front door.
Thirty-five years, zero drop-off: 85/100 for a direct and devastating death metal statement.
Four 9/10s and a trip into "the obsidian kaleidoscope": 87/100, the winter's extreme-metal peak.
Three perfect scores and 87/100 across 13 reviews: hardcore's elder statesmen still have no rival.
Three 9/10s and a « modern classic » tag: symphonic black metal gets its delusions of grandeur back. 84/100.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100) — but the gap with the public marks it as divisive.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
79/100 across twenty reviews: the drone kings' self-titled album, a mass of low frequencies.
83/100: the improbable return of the 1990s chaotic-metalcore pioneers.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
81/100: the Canadian tech-death masters hold their rank.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
79/100: the English goth/doom godfathers confirm a second youth.
81/100: the inventors of European power metal, reunited, keep the flame.
80/100: the English progressive-sludge outfit confirm the hype.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: death metal's fastest Canadians push the tempo limits again.
83/100: the Canadian polymath delivers another oversized, generous opus.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
82/100: Finnish pagan black metal in all its epic splendour.
83/100: the English weave atmospheric black metal steeped in landscape and history.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
79/100: the English godfathers who named black metal keep the house standing.