All That Remains: Overcome
All That Remains’s fourth album, Overcome, arrived in 2008 in the wake of the widely praised The Fall of Ideals. The Massachusetts…
All That Remains’s fourth album, Overcome, arrived in 2008 in the wake of the widely praised The Fall of Ideals. The Massachusetts…
Quarto álbum do All That Remains, Overcome sai em 2008 na esteira do muito elogiado The Fall of Ideals. A banda de…
The third album from the Massachusetts band, The Fall of Ideals is the 2006 record where All That Remains finally locked in…
Muscle, heart and one banger called "Enemy", but a cold public hearing only the recipe. 7.
With A Quiet Place to Die, Australia’s Alpha Wolf took a decisive step up in 2020 and lodged themselves among the reference…
Deconstructed death metal, 74 minutes of liquid cement: 9/10 versus 2.5/5, the press splits clean.
There is something almost unhealthy about Altarage’s consistency. The anonymous collective from Bilbao keeps stacking albums like geological strata, each one more…
Press anoints it (85/100), public checks out (65): the year's widest critics-fans gap.
The Belgians' sonic ritual reaches a new intensity: 84/100 for a record of liturgical gravity.
Produced by Rick Rubin and released in 2001, The War of Art is American Head Charge’s masterpiece and one of the unsung…
Released in 2001, Background Music is American Nightmare’s first album, from the Boston band that became a cult name for a whole…
The Swedish Vikings go to war again with the same axe: 78/100 for a record faithful to its legend.
Amon Amarth never reinvents the formula, it polishes it. With Berserker, the Swedish band recovers an energy that hadn’t been felt in…
The Finns continue their mythological epic without ever faltering: 82/100 for a fourteenth album of sovereign breadth.
The Australians broaden their horizon without losing any of their rage: 84/100 for their most accomplished record.
The Dutch band's diaphanous melancholy reaches its purest form: 82/100 for a blackgaze of mist.
With Judgement, released in 1999 on Music for Nations, Anathema completes a transformation begun on Alternative 4. The Liverpool band, once a…
Angel Crew imposes an uncompromising Parisian hardcore.
One Life One Sentence cements Angel Crew's standing.
XVI brings Angel Crew back without betraying its roots.
The second album by the Brazilian band Angra, Holy Land, released in 1996, is an ambitious work that blends power metal, classical…
The instrumental trio push the limits of the guitar: 82/100 for a record of dizzying virtuosity.
The first album by Canada’s Annihilator, Alice in Hell (1989), is one of the most technical debuts of late-1980s thrash. Built around…
Ten years after For All Kings, Anthrax return. The press applauds, the public trails a notch behind. Consensus: 7.5/10.
Formed in Connecticut, Anxious belongs to that wave of young bands reinventing melodic hardcore by tinting it with emo and pop sensibility.…
A seemingly improbable idea turned masterstroke, Plays Metallica by Four Cellos saw in 1996 four Finnish cellists from the Sibelius Academy reinterpret…
Architects’ seventh album, All Our Gods Have Abandoned Us, arrived in 2016 and marks a high point in the trajectory of the…
The third album by the young Englishmen of Architects, Hollow Crown appeared in 2009 and stands as a genuine birth certificate for…
With Lost Forever // Lost Together, released in 2014, Architects crossed a decisive threshold. The Brighton band, led by Sam Carter’s vocals…
83/100: death metal's fastest Canadians push the tempo limits again.
Arkangel imposes its shadowy metallic hardcore from the off.
Arkangel returns with the same fury, two decades later.
Prayers Upon Deaf Ears carves Arkangel into H8000 legend.
Cosmic death metal reaches its most accomplished form: 83/100 for a record at once cold and dizzying.
83/100: the Britons' atmospheric metalcore grows even broader.
Released in 2007, An Ocean Between Us stands as a peak in the discography of As I Lay Dying. The California band…