Cage Fight, Exuvia
78/100: the English thrash/hardcore crossover hits short, fast and hard.
78/100: the English thrash/hardcore crossover hits short, fast and hard.
Hulder softens her black metal: "finest work to date" for one, missed venom for another. 76/100.
80/100: a melodic, melancholic black metal that wins over critics.
Eight albums, twenty years of service, and one of the warmest receptions of the summer: 79/100 for Give Me Dirt, the best…
85/100: the Americans' melodic, piano-laced death/doom moves the critics.
83/100: the Mexican sisters' trio confirm their powerful, melodic hard rock.
83/100: Bizarrekult's melodic, modern Norwegian black metal wins over listeners.
80/100: the Britons' high-octane rock'n'roll reeks of sweat and the stage.
80/100: the Danes fuse metalcore, pop and saxophone into a surprisingly addictive blend.
80/100: Thomas Eriksen's old-school Norwegian black metal keeps the tradition alive with class.
80/100: the Americans' technical, brutal death metal impresses with its density.
79/100: the Americans' cavernous, old-school death metal reeks of the crypt.
88/100: the Victorian-psychedelic English collective deliver their maddest black metal.
93/100: the Norwegians' long-awaited return opens at the top of the aggregates.
83/100: Finnish melodic death/doom cultivates its deep-freeze melancholy.
89/100 across fifteen reviews: the kings of modern hardcore/metalcore deliver a genre peak.
87/100 across fourteen reviews: the Americans' cosmic death metal reaches a new dimension.
88/100: the New Zealanders of dissonant death metal deliver their masterpiece.
87/100: the New York duo push their industrial noise toward a suffocating intensity.
85/100 across twelve reviews: the Louisiana sludge crew deliver their most direct, raging record.
82/100 across fifteen reviews: the heavy-metal gods prove they've lost nothing.
86/100: the Finns push their cinematic symphonic metal to new heights.
84/100: the Swedes bring back the growls and deliver an ambitious concept record.
85/100: the Americans' return confirms their shift into a first-rate progressive-death band.
85/100: the ex-Emperor mastermind unfurls an orchestral, black-metal album of wild ambition.
85/100: the Americans' furious tech-death impresses with its controlled violence.
83/100: the Americans elevate their melodic, melancholic doom.
Frightening texture, an hour too full: Chambéry black/death impresses without yet crushing.
87/100: the Italians fuse technical death metal and symphonic grandeur with excess.
86/100: the Australians inject wild energy and positivity into hardcore.
86/100: Faroese death/doom reaches an overwhelming solemnity.
Deconstructed death metal, 74 minutes of liquid cement: 9/10 versus 2.5/5, the press splits clean.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
86/100: the Americans wed heavy metal and gothic post-punk with rare elegance.
Muscle, heart and one banger called "Enemy", but a cold public hearing only the recipe. 7.
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.