Mourir : Nous, le venin
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
With L.D. 50, released in 2000, Mudvayne makes a jarring, explosive entrance into the nu metal landscape. Far from the simplicity of…
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
With XIII (2003), Mushroomhead delivers a dense, theatrical nu metal, faithful to the masked, percussive aesthetic that sets the Cleveland band apart.…
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
My Dying Bride’s second album, released on Peaceville in 1993, marks a decisive turn for the young death doom movement. Where many…
Scum, released on Earache in 1987, is a founding record in the most literal sense there is: it lays the very groundwork…
A defining figure of European beatdown, Nasty established itself over the years as one of the most uncompromising bands on the continent.…
With Shokka, released in 2015, Nasty reaffirms its standing among the leading names of European beatdown hardcore. Since the band’s early days,…
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
Nine years after Onset of Putrefaction, Muhammed Suicmez rebuilt Necrophagist around a top-tier lineup and delivered, in 2004, a record that would…
Resurrection with Aaron Turner, 89/100: 2026's best-rated metal record is a Neurosis album.
With Outcry, released in 2022, Never Ending Game stakes out a no-compromise vision of hardcore. The band, sprung from the Michigan scene,…
Released in 2005, All the Right Reasons is Nickelback’s best-selling record and one of the symbols of the decade’s mainstream rock, certified…
It’s hard to approach Feed the Machine without first thinking about what came before its release: a cancelled tour, vocal cord issues…
86/100: the Finns push their cinematic symphonic metal to new heights.
In 2005, Nile delivered with Annihilation of the Wicked one of the absolute summits of technical death metal. The South Carolina band…
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
Destroy closes the loop with conviction.
No Time to Waste gets straight to the essential.
Damage Done tightens No Turning Back's strike.
Holding On keeps the course with consistency.
Never Give Up, the motto turned into a record.
No Turning Back launches its career without detour.
Rise from the Ashes confirms No Turning Back's consistency.
Take Control fires the machine back up with vigour.
Released in 1994 on Epitaph, Punk in Drublic is NOFX’s fifth album and one of the most emblematic records of California melodic…
With Statement in 2000, Nonpoint stepped onto a major label and delivered one of the sturdiest nu metal records of its generation.…
Norma Jean’s debut, released in 2002, Bless the Martyr and Kiss the Child arrives like a chaotic jolt out of Georgia. The…
Norma Jean has never been in the business of making things easy, and Deathrattle Sing for Me drives that point home with…
Norma Jean’s second album, O God, the Aftermath, arrived in 2005 and confirmed the Georgia band as one of the most unpredictable…
Released in 2006, Redeemer is Norma Jean’s third album and one of the most surprising in its discography. Entrusted to producer Ross…
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
The London duo’s second album, Supernova, is a burst of energy and daring. Amy Love and Georgia South fuse punk, grime, rock…
Obituary’s second album, Cause of Death, confirmed in 1990 the Florida band’s standing among the great names of death metal. More accomplished…