Bleed from Within: Zenith
83/100: the Scots confirm their place atop modern European metalcore.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: death metal's fastest Canadians push the tempo limits again.
83/100: the Canadian polymath delivers another oversized, generous opus.
Her most accessible album, still haunted. Critics and public aligned at 77/100.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
English atmospheric black at its peak: "my favorite Fen album to date" (AMG 4.0), 9/10 from Dead Rhetoric.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
85/100: Sgah'gahsowáh's atmospheric, Native American black metal keeps fascinating.
85/100: the German atmospheric-black-metal outfit reach a rare intensity.
82/100: Finnish pagan black metal in all its epic splendour.
83/100: the English weave atmospheric black metal steeped in landscape and history.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
78/100: the Texans' glacial, old-school death metal stays fearsomely effective.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
84/100: the Britons confirm a heavy, melodic and ambitious metal.
84/100: Scottish riff-machine James McBain unleashes his blackened speed metal.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
79/100: the English godfathers who named black metal keep the house standing.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
80/100: Stu Folsom's "death western", dusty thrash and dried blood.
79/100 across eight reviews: the Angelenos push their industrial noise toward apocalyptic pop.
82/100 across ten reviews: the Texan quartet blow in a gust of raging, clever punk.
82/100 across ten reviews: the meeting of Sumac's tectonic sludge and Moor Mother's poetry.
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
83/100: the Californian melodic-hardcore veterans hit true and hard.
79/100: the Tennessee deathcore kings reconnect with pure brutality.
The opening shot: a telluric, savage sludge, already of rare power.
Bane arrives with a debut that never fakes it.
This Is Hell arrives from Long Island with a hungry hardcore.
Arkangel imposes its shadowy metallic hardcore from the off.
No Turning Back launches its career without detour.
The first cry: a raw, sincere nu-metal already shot through with flashes of genius.
78/100: the Dutch symphonic-metal act roll out their usual grand spectacle.