H2O: Thicker Than Water
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
Released in 2008 on Bridge 9, Nothing to Prove marks H2O’s return after several years without a record. Toby Morse’s band reconnects…
Released in 1999 on Epitaph, F.T.T.W. confirms H2O as one of the leading bands in late-1990s New York melodic hardcore. The title,…
Coming out of California, Gulch left a deep mark on the underground with a small run of exceptionally intense releases before calling…
80.2/100 and four reviews in unison: Manchester delivers Europe's pit record of the year.
The debut by Germany’s Guano Apes, Proud Like a God, burst forth in 1997 as one of the major triumphs of European…
Green Lung's occult doom takes on London. The press flirts with perfection, the public follows. Consensus: 9/10.
English folklore and the Hammond organ: 85/100 for an irresistible occult heavy-rock record.
Trilogy finale bordering on critical genuflection: 9.8/10 at Sonic Perspectives. Out September 4.
Hailing from Saint Louis, Missouri, Gravity Kills released their self-titled debut in 1996, propelled by the industrial-rock wave that followed Nine Inch…
Released in 1991, Into the Grave is the debut album by Sweden’s Grave and one of the pillars of the first wave…
Bordeaux tech-death dares to be vulnerable. The craft is unanimous; the pacing divides.
There’s something almost perverse about the way Gorod manages to make complexity enjoyable to listen to. A Maze of Recycled Creeds arrived…
Some records are a punch in the face, others a burst of sunshine. Start Today, released in 1989, belongs to that rare…
The second album by Norway’s Gorgoroth, Antichrist appeared in 1996 and stands as a model of raw, no-frills black metal. Short, sharp…
After the cosmos, death: a dark, monumental record on accepting the end.
The record of the moult: Gojira trade speed for groove and atmosphere.
The Duplantier brothers' debut: an angular death metal, still green but already singular.
Entering the top rank: a more direct, sharper Gojira, losing none of its depth.
The masterpiece of consecration: a world-record on the death and rebirth of the Earth.
The first live document: Gojira on the road, before the international breakthrough.
The record of mourning: Gojira strip back and sign their most moving album.
Gojira on home soil: communion with the crowd of France's biggest metal festival.
The touring machine at its peak: the live CD/DVD of the L'Enfant Sauvage era.
The album of militant maturity: more melodic, more varied, and a historic Grammy win.
With this self-titled 1998 debut, Godsmack lay down the foundations of a massive, no-nonsense alternative metal. Sully Erna delivers a gravelly, commanding…
Billed as Godflesh's penultimate record, Decay earns a rare alignment of press and public. Consensus: 8/10.
The Irish band make saturation a sonic material: 85/100 for a radically inventive record.
With Out of Control, Gideon completes its transformation. The Alabama band, once rooted in Christian metalcore, fully embraces an aggressive, groovy nu…
The Swedish cult fully embraces the stadium and pop: 78/100 for an ambitious, divisive record.
Out of Quebec City, Canada, Get the Shot play an uncompromising metallic hardcore fed on thrash and beatdown. Merciless Destruction, released in…
With Infinite Punishment, released in 2019, Quebec’s Get the Shot deliver a record of formidable intensity. Out of Quebec City, the band…
It’s hard to be more direct than this Violent Closure, released by Gel in 2021. This short format, a handful of tracks…
Nineteen minutes of raw, frontal hardcore: 82/100 for a record that hits fast and true.
Arizona death metal gains melody without losing power: 82/100 for a record built to last.
Gamma Ray’s third album, Land of the Free, marks a decisive turning point for the band founded by Kai Hansen after he…