Conan — Violence Dimension
79/100: the English "caveman battle doom" crew flatten everything in their path.
79/100: the English "caveman battle doom" crew flatten everything in their path.
Her most accessible album, still haunted. Critics and public aligned at 77/100.
The priestess of electronic goth reinvents herself: 82/100 for a record of intimate rebirth.
Rapturous early reviews: "the fury has metastasized". Out September 4.
American despair set to sound: 86/100 for a debut album that hits like a punch.
The Boston veterans reconnect with breadth: 83/100 for a rich, generous return after loss.
The peak of a death metal turned discourse: 89/100 for a work where ecological apocalypse becomes music.
The most famous institution of death metal does not falter: 80/100 for a record of metronome regularity.
The Australians deliver their gravest, most accomplished record: 85/100 for a haunted work.
78/100: the English thrash/hardcore crossover hits short, fast and hard.
Grief spat with venom: great metalcore songs undercut by an over-compressed mix.
80/100: the American progressive-metalcore act hold their high technical level.
The insatiable Japanese replay their riff library with glee: 80/100 for a third "Heavy Rocks".
"Heavy as fuck": 78/100 for the Floridian demolition machine, tried-and-true formula included.
The French band's sonic nightmare reaches an unprecedented intensity: 85/100 for a haunted record.
87/100 across fourteen reviews: the Americans' cosmic death metal reaches a new dimension.
The Norwegians confirm their supercharged hardcore pop punk: 80/100 for an explosive, melodic record.
83/100: the Scots confirm their place atop modern European metalcore.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
85/100: Sgah'gahsowáh's atmospheric, Native American black metal keeps fascinating.
83/100: Bizarrekult's melodic, modern Norwegian black metal wins over listeners.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
Killer hooks for the press (8.5/10 at Blabbermouth), 53/100 from the public. The great symphonic split.
The Americans reconnect with their 2007 masterpiece: 82/100 for an outsized prog fresco.
The supergroup born of Every Time I Die hits hard: 82/100 for a record of jubilant violence.
A single eighty-three-minute piece, suspended outside time: 84/100 for a monument of slowness.
Beartooth's pop-rock turn: press applauds (77/100), fans grumble (59/100). Divisive — therefore interesting.
The Americans pursue their melodic metamorphosis: 80/100 for an accessible, colourful record, not without risks.
The pioneers of putrid death metal stay true to their grime: 81/100 for a record of gleeful insalubrity.
Eleven albums, zero fatigue: 84/100 for technical metalcore's safest bet.
The press hails the comeback (4/5 at Kerrang!), AMG fires a 2/5: round ten for the metalcore veterans.
Tompa Lindberg's posthumous farewell: 85/100, Kerrang! and AMG at full marks. Exit through the front door.
An avant-garde firebrand against social injustice: 87/100 for one of the most original records of the year.
83/100: the Britons' atmospheric metalcore grows even broader.
Cosmic death metal reaches its most accomplished form: 83/100 for a record at once cold and dizzying.
83/100: death metal's fastest Canadians push the tempo limits again.