Whitechapel — Hymns in Dissonance
79/100: the Tennessee deathcore kings reconnect with pure brutality.
79/100: the Tennessee deathcore kings reconnect with pure brutality.
83/100: the Californian melodic-hardcore veterans hit true and hard.
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
82/100 across ten reviews: the meeting of Sumac's tectonic sludge and Moor Mother's poetry.
82/100 across ten reviews: the Texan quartet blow in a gust of raging, clever punk.
79/100 across eight reviews: the Angelenos push their industrial noise toward apocalyptic pop.
80/100: Stu Folsom's "death western", dusty thrash and dried blood.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
79/100: the English godfathers who named black metal keep the house standing.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
84/100: Scottish riff-machine James McBain unleashes his blackened speed metal.
84/100: the Britons confirm a heavy, melodic and ambitious metal.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
78/100: the Texans' glacial, old-school death metal stays fearsomely effective.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
83/100: the English weave atmospheric black metal steeped in landscape and history.
82/100: Finnish pagan black metal in all its epic splendour.
85/100: the German atmospheric-black-metal outfit reach a rare intensity.
85/100: Sgah'gahsowáh's atmospheric, Native American black metal keeps fascinating.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
English atmospheric black at its peak: "my favorite Fen album to date" (AMG 4.0), 9/10 from Dead Rhetoric.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
Her most accessible album, still haunted. Critics and public aligned at 77/100.
83/100: the Canadian polymath delivers another oversized, generous opus.
83/100: death metal's fastest Canadians push the tempo limits again.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English progressive-sludge outfit confirm the hype.
81/100: the inventors of European power metal, reunited, keep the flame.
79/100: the English goth/doom godfathers confirm a second youth.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
81/100: the Canadian tech-death masters hold their rank.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
83/100: the improbable return of the 1990s chaotic-metalcore pioneers.