Persefone — Lingua Ignota: Part I
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
81/100: the Belgian trio broaden their progressive, spiritual post-metal further.
81/100: the English trio confirm their mathcore, as technical as it is emotional.
The New Yorkers' organised chaos reaches its point of incandescence: 84/100 for a suffocating record.
Josh Homme reopens the wound and delivers a sharp record: 80/100 for the sneering return of the Californians.
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
83/100: the death-metal supergroup (ex-Pestilence, Asphyx) hits hard on its debut.
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Pennsylvania death metal opens to saxophone and introspection: 83/100 for a daring record.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
The Chicago instrumental trio harden their tone: 82/100 for a rougher, denser record.
The season's best-reviewed record: 83/100, zero reservations. Instrumental post-metal at its peak.
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
Hardcore throws its windows open to grunge and pop: 82/100 for a record mid-moult.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
New York hardcore reinvented with banjo and grime: 80/100 for a harsh, communal record.
80/100: the Danes fuse metalcore, pop and saxophone into a surprisingly addictive blend.
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
The masked collective turn metal into a love liturgy: 84/100 for a third album impossible to file.
80/100, a Distorted Sound 10/10 and no dissenting voice: Toulouse rules the cosmos.
The Swedes refine their melodic progressive metal: 80/100 for a limpid, committed record.
More metal, less prog: the press wavers (8/10 vs 5/10), the fanbase checks out. See you at Le Rex in December.
Hardcore as political and vital cry: 87/100 for a record of burning urgency.
Quebecois black metal in its sharpest form: 85/100 for a record of undiminished fury.
86/100: the Australians inject wild energy and positivity into hardcore.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
89/100: the new benchmark for modern metalcore, driven by Courtney LaPlante's extraordinary voice.