Ihsahn, IHSAHN
85/100: the ex-Emperor mastermind unfurls an orchestral, black-metal album of wild ambition.
85/100: the ex-Emperor mastermind unfurls an orchestral, black-metal album of wild ambition.
85/100: the Americans' return confirms their shift into a first-rate progressive-death band.
84/100: the Swedes bring back the growls and deliver an ambitious concept record.
86/100: the Finns push their cinematic symphonic metal to new heights.
82/100 across fifteen reviews: the heavy-metal gods prove they've lost nothing.
85/100 across twelve reviews: the Louisiana sludge crew deliver their most direct, raging record.
87/100: the New York duo push their industrial noise toward a suffocating intensity.
88/100: the New Zealanders of dissonant death metal deliver their masterpiece.
87/100 across fourteen reviews: the Americans' cosmic death metal reaches a new dimension.
89/100 across fifteen reviews: the kings of modern hardcore/metalcore deliver a genre peak.
83/100: Finnish melodic death/doom cultivates its deep-freeze melancholy.
93/100: the Norwegians' long-awaited return opens at the top of the aggregates.
88/100: the Victorian-psychedelic English collective deliver their maddest black metal.
79/100: the Americans' cavernous, old-school death metal reeks of the crypt.
80/100: the Americans' technical, brutal death metal impresses with its density.
80/100: Thomas Eriksen's old-school Norwegian black metal keeps the tradition alive with class.
80/100: the Danes fuse metalcore, pop and saxophone into a surprisingly addictive blend.
80/100: the Britons' high-octane rock'n'roll reeks of sweat and the stage.
83/100: Bizarrekult's melodic, modern Norwegian black metal wins over listeners.
83/100: the Mexican sisters' trio confirm their powerful, melodic hard rock.
85/100: the Americans' melodic, piano-laced death/doom moves the critics.
Eight albums, twenty years of service, and one of the warmest receptions of the summer: 79/100 for Give Me Dirt, the best…
80/100: a melodic, melancholic black metal that wins over critics.
Hulder softens her black metal: "finest work to date" for one, missed venom for another. 76/100.
78/100: the English thrash/hardcore crossover hits short, fast and hard.
83/100: the death-metal supergroup (ex-Pestilence, Asphyx) hits hard on its debut.
80/100: Ken Sorceron's American atmospheric black metal continues its evolution.
81/100: the Belgian trio broaden their progressive, spiritual post-metal further.
79/100 across six reviews: Angel Marcloid's project blends metal, vaporwave and prog into a unique kaleidoscope.
The metalcore party, bottled: press has fun (75/100), purists sigh. Unapologetic.
80/100: the Briton weaves a dark, cinematic rock of rare beauty.
80/100: the American southern-sludge veterans rediscover their sticky groove.
79/100: Swedish gothic/doom unfolds its majestic melancholy.
81/100: the Irish fuse metal and traditional music with contagious energy.
83/100: the Britons' atmospheric metalcore grows even broader.
85/100: the Dutch progressive-djent pioneers deliver a highly praised return.