Pallbearer — Mind Burns Alive
83/100: the Americans elevate their melodic, melancholic doom.
83/100: the Americans elevate their melodic, melancholic doom.
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
83/100: the Americans' old-school, gory death metal hits with contagious glee.
83/100: the American melodic-metalcore veterans hit a brilliant new form.
The "strongest album in a 22-year career" — bloat included. 78/100 for the Black Forest.
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
A compilation dressed as a self-titled album — but the songs are strong enough for 80/100.
Twenty years in, their best album — "the devil's work!": 80/100, a rare doom communion.
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
Cosmic death metal reaches its most accomplished form: 83/100 for a record at once cold and dizzying.
The improbable meeting of fury and mist: 82/100 for a collaboration of troubled beauty.
The Belgians broaden their palette without losing their edge: 83/100 for a black metal mid-moult.
The new guard of old-school death metal embrace their heritage: 82/100 for a jubilant, uncomplexed record.
Arizona death metal gains melody without losing power: 82/100 for a record built to last.
The pioneers of putrid death metal stay true to their grime: 81/100 for a record of gleeful insalubrity.
The most famous institution of death metal does not falter: 80/100 for a record of metronome regularity.
The negro spiritual meets black metal: 82/100 for a third album consolidating a stroke of genius.
Portuguese black metal steps up: 83/100 for a record of visceral intensity.
The Great War set to music: 82/100 for a brutal, documented record on the horror of the trenches.
The priestess of electronic goth reinvents herself: 82/100 for a record of intimate rebirth.
The Americans' luminous doom grows heavier: 83/100 for a fourth album shot through with grief.
The Swedish masters of post-metal unfold their sonic cathedrals: 83/100 for a monumental record.
The German collective close their geological fresco with restraint: 82/100 for a record more atmospheric than ever.
79/100 and no song that lets you down: Denver's epic doom restarts without reinventing its axe.
The Boston veterans reconnect with breadth: 83/100 for a rich, generous return after loss.
The Chicago instrumental trio harden their tone: 82/100 for a rougher, denser record.
Matt Pike's beast still roars as loud as ever: 81/100 for an implacable sludge record.
The Americans pursue their melodic metamorphosis: 80/100 for an accessible, colourful record, not without risks.
The Rochester trio close their pandemic trilogy in weightlessness: 82/100 for a hovering, hypnotic record.
The Norwegians reconnect with weight and tension: 82/100 for a record that restores density to progressive metal.