Khemmis — Khemmis
79/100 and no song that lets you down: Denver's epic doom restarts without reinventing its axe.
79/100 and no song that lets you down: Denver's epic doom restarts without reinventing its axe.
The Rochester trio close their pandemic trilogy in weightlessness: 82/100 for a hovering, hypnotic record.
89/100 across fifteen reviews: the kings of modern hardcore/metalcore deliver a genre peak.
The German thrash veterans have lost none of their bite: 78/100 for a record cut for the stage.
Eleven reviews, 81/100: the best Lamb Of God since Wrath, and almost nobody argues otherwise.
The Norwegians reconnect with weight and tension: 82/100 for a record that restores density to progressive metal.
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
The fusion of din and dream finds its masterpiece: 86/100 for a second album that haunts long after.
80/100: the rising Britons blend atmospheric post-hardcore and metalcore intensity.
83/100: Finnish melodic death/doom cultivates its deep-freeze melancholy.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
77/100: the Norwegian black-metal legends deliver a solid if debated record.
Mustaine's goodbye: 62/100 from critics, 48 from the public. Stumbling off the stage.
The Canadian noise merchants embrace a new atmospheric breadth: 81/100 for a record of maturity.
Melodic hardcore reaches out to indie rock: 83/100 for a debut album of fine maturity.
Noise rock weds the sensuality of post-punk: 84/100 for a debut of troubling intensity.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100) — but the gap with the public marks it as divisive.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
80/100: Thomas Eriksen's old-school Norwegian black metal keeps the tradition alive with class.
80/100: the Britons' high-octane rock'n'roll reeks of sweat and the stage.
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
Resurrection with Aaron Turner, 89/100: 2026's best-rated metal record is a Neurosis album.
86/100: the Finns push their cinematic symphonic metal to new heights.
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.
84/100: the Swedes bring back the growls and deliver an ambitious concept record.
Symphonic deathcore with hooks: 9/10 on one side, 2.5/5 on the other. The genre glares at itself.
80/100: the most violent Swiss deathcore/beatdown gives no quarter.
83/100: the Americans elevate their melodic, melancholic doom.
A lone American's great winter work: 85/100 for a glacial, devastating meditation.
79/100: the English goth/doom godfathers confirm a second youth.