Horrendous — Ontological Mysterium
The Americans reconcile old-school death metal and progressive freedom: 88/100 for a record of rare elegance.
The Americans reconcile old-school death metal and progressive freedom: 88/100 for a record of rare elegance.
78/100: Finnish death/doom in all its melancholic heaviness.
Matt Pike's beast still roars as loud as ever: 81/100 for an implacable sludge record.
84/100: Scottish riff-machine James McBain unleashes his blackened speed metal.
81/100: the inventors of European power metal, reunited, keep the flame.
79/100 across eight reviews: the Angelenos push their industrial noise toward apocalyptic pop.
82/100: Finnish pagan black metal in all its epic splendour.
86/100: Faroese death/doom reaches an overwhelming solemnity.
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
The London collective cross virtuosity with an imaginary bestiary: 82/100 for a playful, learned record.
80.2/100 and four reviews in unison: Manchester delivers Europe's pit record of the year.
English folklore and the Hammond organ: 85/100 for an irresistible occult heavy-rock record.
Trilogy finale bordering on critical genuflection: 9.8/10 at Sonic Perspectives. Out September 4.
Bordeaux tech-death dares to be vulnerable. The craft is unanimous; the pacing divides.
The Irish band make saturation a sonic material: 85/100 for a radically inventive record.
The Swedish cult fully embraces the stadium and pop: 78/100 for an ambitious, divisive record.
Nineteen minutes of raw, frontal hardcore: 82/100 for a record that hits fast and true.
Arizona death metal gains melody without losing power: 82/100 for a record built to last.
Portuguese black metal steps up: 83/100 for a record of visceral intensity.
Cathartic black metal goes luminous metalcore: press won over (74), faithful betrayed (60). Debate open.
79/100: the Americans' cavernous, old-school death metal reeks of the crypt.
Seventh-circle gutturals versus waning creativity: the press splits, the pit will decide.
The improbable meeting of fury and mist: 82/100 for a collaboration of troubled beauty.
78/100: the Texans' glacial, old-school death metal stays fearsomely effective.
The calculated chaos of mathcore reaches peaks of aggression: 82/100 for a suffocating record.
87/100: the Italians fuse technical death metal and symphonic grandeur with excess.
Blabbermouth says 9/10, the public says 25/100: the record that captivates musically and repels lyrically.
The Americans' committed deathcore gains in depth: 81/100 for a record as heavy as it is thoughtful.
85/100: the Americans' melodic, piano-laced death/doom moves the critics.
79/100 across six reviews: Angel Marcloid's project blends metal, vaporwave and prog into a unique kaleidoscope.
The "strongest album in a 22-year career" — bloat included. 78/100 for the Black Forest.
English atmospheric black at its peak: "my favorite Fen album to date" (AMG 4.0), 9/10 from Dead Rhetoric.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
81/100 and a first Billboard Hard Rock No. 1: the press crowns Amy Lee's return, the public debates.
84/100: the Americans' turbocharged grindcore gives no respite.
The Americans of progressive metalcore polish their craft: 79/100 for a goldsmith's record.