Judge: Bringin It Down
If youth crew had a bright, fraternal side, Judge embodied its dark half, the cold anger and the conviction pushed all the…
If youth crew had a bright, fraternal side, Judge embodied its dark half, the cold anger and the conviction pushed all the…
Some records define a movement so completely that they become its face. Break Down the Walls, released in 1986, is one of…
By 1994, Sick of It All was no longer a well kept secret of the Lower East Side. The band was carrying…
Some records do not just deliver music, they draw a map. Victim in Pain, released in 1984, is one of them. In…
Trilogy finale bordering on critical genuflection: 9.8/10 at Sonic Perspectives. Out September 4.
The season's best-reviewed record: 83/100, zero reservations. Instrumental post-metal at its peak.
87/100 across nineteen reviews: the alternative-metal masters return to near-unanimous acclaim.
86/100: the Californian "ecstatic black metal" crew turn darkness into light.
85/100: the wildest mathcore around reaches an unexpected maturity.
English atmospheric black at its peak: "my favorite Fen album to date" (AMG 4.0), 9/10 from Dead Rhetoric.
85/100: Sgah'gahsowáh's atmospheric, Native American black metal keeps fascinating.
85/100: the German atmospheric-black-metal outfit reach a rare intensity.
84/100: the Britons confirm a heavy, melodic and ambitious metal.
84/100: Scottish riff-machine James McBain unleashes his blackened speed metal.
The rebirth: after tragedy, a luminous and vital record.
Horizons lifts Parkway Drive to metalcore benchmark status.
The return of the concept: cancer and the desert, a grave and masterful record.
The great return: reunited with Terry Date, a taut and masterful record.
85/100: the Dutch progressive-djent pioneers deliver a highly praised return.
85/100: the Americans' melodic, piano-laced death/doom moves the critics.
87/100 across fourteen reviews: the Americans' cosmic death metal reaches a new dimension.
87/100: the New York duo push their industrial noise toward a suffocating intensity.
85/100 across twelve reviews: the Louisiana sludge crew deliver their most direct, raging record.
86/100: the Finns push their cinematic symphonic metal to new heights.
84/100: the Swedes bring back the growls and deliver an ambitious concept record.
85/100: the Americans' return confirms their shift into a first-rate progressive-death band.
85/100: the ex-Emperor mastermind unfurls an orchestral, black-metal album of wild ambition.
85/100: the Americans' furious tech-death impresses with its controlled violence.
87/100: the Italians fuse technical death metal and symphonic grandeur with excess.
86/100: the Australians inject wild energy and positivity into hardcore.
86/100: Faroese death/doom reaches an overwhelming solemnity.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
86/100: the Americans wed heavy metal and gothic post-punk with rare elegance.
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.
84/100: the Germans, masters of technical brutal death, push the genre's limits.
85/100: the Americans' epic doom summons the grandeur of metal's origins.