Haken, In a Fever Dream
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
After the cosmos, death: a dark, monumental record on accepting the end.
The masterpiece of consecration: a world-record on the death and rebirth of the Earth.
The record of the moult: Gojira trade speed for groove and atmosphere.
The Duplantier brothers' debut: an angular death metal, still green but already singular.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
Grief spat with venom: great metalcore songs undercut by an over-compressed mix.
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
Seventh-circle gutturals versus waning creativity: the press splits, the pit will decide.
More than twenty years of Tasmanian tech death, and still the same reliability: 75/100 from the critics, 75/100 from the public, it…
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
Two reviews, zero real objections and a 8.5/10: Maine's bruised love letter to melodic hardcore.
Thirty-eight years of service and still the same address: 76/100 across four reviews for the New Yorkers’ return. Distorted Sound draws a…
A strange stream of sound like nobody else: 73/100 for the Mongolian cavalry.
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
The "strongest album in a 22-year career", bloat included. 78/100 for the Black Forest.
84/100: the Americans' turbocharged grindcore gives no respite.
85/100: the Americans' epic doom summons the grandeur of metal's origins.
Blabbermouth says 9/10, the public says 25/100: the record that captivates musically and repels lyrically.
84/100: the Germans, masters of technical brutal death, push the genre's limits.
83/100: the American melodic-metalcore veterans hit a brilliant new form.
83/100: the Americans' old-school, gory death metal hits with contagious glee.
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.
Muscle, heart and one banger called "Enemy", but a cold public hearing only the recipe. 7.
86/100: the Americans wed heavy metal and gothic post-punk with rare elegance.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
Deconstructed death metal, 74 minutes of liquid cement: 9/10 versus 2.5/5, the press splits clean.
86/100: Faroese death/doom reaches an overwhelming solemnity.
86/100: the Australians inject wild energy and positivity into hardcore.
87/100: the Italians fuse technical death metal and symphonic grandeur with excess.
Frightening texture, an hour too full: Chambéry black/death impresses without yet crushing.
83/100: the Americans elevate their melodic, melancholic doom.
85/100: the Americans' furious tech-death impresses with its controlled violence.