Moonspell — Far from God
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100) — but the gap with the public marks it as divisive.
Noise rock weds the sensuality of post-punk: 84/100 for a debut of troubling intensity.
Melodic hardcore reaches out to indie rock: 83/100 for a debut album of fine maturity.
The Canadian noise merchants embrace a new atmospheric breadth: 81/100 for a record of maturity.
Mustaine's goodbye: 62/100 from critics, 48 from the public. Stumbling off the stage.
77/100: the Norwegian black-metal legends deliver a solid if debated record.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
83/100: Finnish melodic death/doom cultivates its deep-freeze melancholy.
80/100: the rising Britons blend atmospheric post-hardcore and metalcore intensity.
The fusion of din and dream finds its masterpiece: 86/100 for a second album that haunts long after.
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
The Norwegians reconnect with weight and tension: 82/100 for a record that restores density to progressive metal.
Eleven reviews, 81/100: the best Lamb Of God since Wrath, and almost nobody argues otherwise.
The German thrash veterans have lost none of their bite: 78/100 for a record cut for the stage.
89/100 across fifteen reviews: the kings of modern hardcore/metalcore deliver a genre peak.
The Rochester trio close their pandemic trilogy in weightlessness: 82/100 for a hovering, hypnotic record.
79/100 and no song that lets you down: Denver's epic doom restarts without reinventing its axe.
The Americans' luminous doom grows heavier: 83/100 for a fourth album shot through with grief.
Melancholy made record: 84/100 for an album where the Swedes elevate their art of elegant despair.
Thirteen years of waiting, 78/100, press and public aligned: "the bar for progressive metal in 2026" per Metal Hammer.
Karevik masterful, formula unchanged: press splits (8/10 vs 2.5/5), consensus lands at 6.5.
82/100 across fifteen reviews: the heavy-metal gods prove they've lost nothing.
85/100: the Americans' return confirms their shift into a first-rate progressive-death band.
The Texans' atmospheric metalcore clears a hurdle: 81/100 for a record of rare elegance.
The melancholy Finns turn a tale of witchcraft into a sonic fresco: 82/100 for a record of rare coherence.
The Britons widen their brutality without betraying it: 80/100 for a finely crafted deathcore.
The patriarchs of cavernous death metal do not falter: 85/100 for a record of absolute darkness.
Press applauds (77/100), listeners check out (49/100). The season's biggest gap.
Norwegian black metal pared back to its icy open sea: 80/100 for a convincing first record after Abbath.
Thirty-five years, zero drop-off: 85/100 for a direct and devastating death metal statement.
85/100: the ex-Emperor mastermind unfurls an orchestral, black-metal album of wild ambition.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
The Britons trade rage for love and gain in depth: 83/100 for a daring turn.
83/100: the electronicore pioneers deliver an acclaimed return.
Hulder softens her black metal: "finest work to date" for one, missed venom for another. 76/100.