Wiegedood — There’s Always Blood at the End of the Road
The Belgians broaden their palette without losing their edge: 83/100 for a black metal mid-moult.
The Belgians broaden their palette without losing their edge: 83/100 for a black metal mid-moult.
The improbable meeting of fury and mist: 82/100 for a collaboration of troubled beauty.
The New Yorkers' organised chaos reaches its point of incandescence: 84/100 for a suffocating record.
Cosmic death metal reaches its most accomplished form: 83/100 for a record at once cold and dizzying.
American despair set to sound: 86/100 for a debut album that hits like a punch.
Twenty years away, 87/100 and a Kerrang! 5/5: the year's most devastating doom comeback.
Singaporean grindcore reaches peaks of expressiveness: 85/100 for a record as violent as it is heartrending.
The Canadians shed their skin without disowning it: 87/100 for a death metal that opens to the cosmos while keeping its mire.
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
The technical-death-metal war machine remains implacable: 84/100.
The French band's sonic nightmare reaches an unprecedented intensity: 85/100 for a haunted record.
The patriarchs of cavernous death metal do not falter: 85/100 for a record of absolute darkness.
English folklore and the Hammond organ: 85/100 for an irresistible occult heavy-rock record.
Fury and light in the service of the intimate: 85/100 for a devastating record on mental health.
Melancholy made record: 84/100 for an album where the Swedes elevate their art of elegant despair.
The Norwegians turn myth into music: 84/100 for a sixteenth album of undimmed ambition.
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
A torrent of energy from great-grandfathers: 76/100, Purple's best reception in ages.
Stripped-back gothic return, Ribeiro revitalized: 73/100, the essence recovered without reaching the peaks.
Twenty years in, their best album — "the devil's work!": 80/100, a rare doom communion.
A compilation dressed as a self-titled album — but the songs are strong enough for 80/100.
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
The British atmospheric-djent band deliver their most accomplished record: 86/100.
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
Lethal riffs, incendiary solos, Dez back in the game: 70/100 and zero surprises, proudly so.
Los Angeles powerviolence becomes an African-American manifesto: 88/100 for a record as brief as it is vital.
The Norwegians transfigure black metal into a psychedelic voyage: 89/100 for an avant-garde work.
The Americans reconcile old-school death metal and progressive freedom: 88/100 for a record of rare elegance.
The peak of a death metal turned discourse: 89/100 for a work where ecological apocalypse becomes music.
Spectral blackened death and Brussels industrial: "it does not narrate; it confronts". 7.5 average.
Slimmed to a trio, Haken reinvent themselves in 27 minutes: "ingenious and classy", yet "the least Haken-y" release of their career.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
Grief spat with venom: great metalcore songs undercut by an over-compressed mix.
Six years slow-cooking, 82/100: Loathe deliver 2026's great art-metalcore record, muddy production included.
Seventh-circle gutturals versus waning creativity: the press splits, the pit will decide.