Russian Circles — Gnosis
The Chicago instrumental trio harden their tone: 82/100 for a rougher, denser record.
The Chicago instrumental trio harden their tone: 82/100 for a rougher, denser record.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
Pennsylvania death metal opens to saxophone and introspection: 83/100 for a daring record.
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Sumptuous psychedelic doom: "fantastic" even to its harshest critic. 8/10 average.
83/100: the death-metal supergroup (ex-Pestilence, Asphyx) hits hard on its debut.
Six reviews, zero sour notes: the post-hardcore godfathers still "fizz with energy and life".
Josh Homme reopens the wound and delivers a sharp record: 80/100 for the sneering return of the Californians.
The New Yorkers' organised chaos reaches its point of incandescence: 84/100 for a suffocating record.
81/100: the English trio confirm their mathcore, as technical as it is emotional.
81/100: the Belgian trio broaden their progressive, spiritual post-metal further.
Rody Walker "better than ever", 87/100: Protest The Hero's return is a masterstroke.
78/100: the Texan blackened-hardcore crew spit an ever more desperate violence.
82/100 across twelve reviews: the ex-pop icon confirms her shift into a singular metal artist.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
86/100: the Andorran progressive-metal act unfurl a luminous virtuosity.
79/100: the English goth/doom godfathers confirm a second youth.
A lone American's great winter work: 85/100 for a glacial, devastating meditation.
83/100: the Americans elevate their melodic, melancholic doom.
80/100: the most violent Swiss deathcore/beatdown gives no quarter.
Symphonic deathcore with hooks: 9/10 on one side, 2.5/5 on the other. The genre glares at itself.
84/100: the Swedes bring back the growls and deliver an ambitious concept record.
85/100: the Texans' gothic, progressive metal, carried by Cammie Beverly's masterful voice.
Twisted Minneapolis death metal: "one of the most adventurous and obnoxious records of the year" (8.5/10).
Three reviews, three 80s: Alabama straight edge finds unanimity in the dark. 8/10.
86/100: the Finns push their cinematic symphonic metal to new heights.
Resurrection with Aaron Turner, 89/100: 2026's best-rated metal record is a Neurosis album.
The violin and the growl, beauty and fury: 86/100 for the Australians' masterful return.
The American supergroup make virtuosity a game: 83/100 for a record as ferocious as it is joyful.
From 100 down to 20 depending on the church: Muse's cosmic madness owns itself, the press picks sides.
Metal Storm at 8.3, French press won over: Toulouse black metal spits its venom with newfound maturity.
Press has a blast (74/100), public shrugs (59/100): the gothic theme park splits the room.
80/100: the Britons' high-octane rock'n'roll reeks of sweat and the stage.
80/100: Thomas Eriksen's old-school Norwegian black metal keeps the tradition alive with class.