Ingested : The Tide of Death and Fractured Dreams
The Britons widen their brutality without betraying it: 80/100 for a finely crafted deathcore.
The Britons widen their brutality without betraying it: 80/100 for a finely crafted deathcore.
The architects of technical death metal hold their course: 80/100 for a controlled return.
British rage turns more hymnal without losing its bite: 82/100 for an ambitious metalcore.
The insatiable Japanese replay their riff library with glee: 80/100 for a third "Heavy Rocks".
The Belgian steamroller invites its peers to a gore feast: 79/100 for a death metal as swift as it is well-signposted.
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
"Heavy as fuck": 78/100 for the Floridian demolition machine, tried-and-true formula included.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
Eleven reviews, 81/100: the best Lamb Of God since Wrath, and almost nobody argues otherwise.
Thirteen years of waiting, 78/100, press and public aligned: "the bar for progressive metal in 2026" per Metal Hammer.
Press anoints it (85/100), public checks out (65): the year's widest critics-fans gap.
The Note confirms Bane at the peak of its craft.
There is something almost liturgical about the way Hamferð builds their albums, and Támsins Likam is no exception to this rule. From…
Vitriol has never done things by halves, and Suffer & Become follows the same logic of permanent asphyxiation. From the first seconds,…
With In Cauda Venenum, Opeth closes a loop that began with Heritage: that of a band that has definitively turned its back…
There’s something almost ironic about releasing an album titled Stare Into Death and Be Still in spring 2020, amid global shock. The…
Some records arrive without fanfare and impose themselves through sheer sincerity alone. Echoes from Deep November belongs to that rare category. The…
There’s something almost unfair about Paradise Lost’s consistency. After navigating through different styles, electronic experimentation, and extreme returns to their roots, the…
There’s something almost provocative in the way Der Weg einer Freiheit opens Noktvrn: no gradual build-up, no muffled entry point, but a…
After traversing vast plains and conquest mythologies on A Romance with Violence, Wayfarer shifts scenery without abandoning its logic. American Gothic trades…
With Letters Home, Defeater deepens its ambitious family saga by tracing back to the origins: the father, before everything. It’s a bold…
After the shock of God’s Country, Chat Pile didn’t really have a choice: either repeat the formula or expand it. The Oklahoma…
The fusion of din and dream finds its masterpiece: 86/100 for a second album that haunts long after.
Released in 1992, Urban Discipline captures Biohazard at the peak of their intensity, at the precise moment when the borough of Brooklyn…
Ulver’s debut, Bergtatt (1995), subtitled Et eventyr i 5 capitler (a fairy tale in five chapters), is a landmark of what would…
Released in 1998, Something Wicked This Way Comes is the fifth album by the American band Iced Earth, led by guitarist and…
The first album by Canada’s Annihilator, Alice in Hell (1989), is one of the most technical debuts of late-1980s thrash. Built around…
In 1990, Social Distortion released its self titled album, the band’s first record for a major label after more than a decade…
Gamma Ray’s third album, Land of the Free, marks a decisive turning point for the band founded by Kai Hansen after he…
By 1992 Bolt Thrower were already a pillar of the British scene, but The IVth Crusade marked a clear turn toward greater…
Released in 2010, Lawless Darkness is the fourth album by Sweden’s Watain and one of the peaks of their discography. Led by…
The debut album by the Finnish band Sonata Arctica, Ecliptica, released in 1999, quickly established itself as a classic of melodic power…
With Judgement, released in 1999 on Music for Nations, Anathema completes a transformation begun on Alternative 4. The Liverpool band, once a…
Released in 1991, Dismember’s debut arrived in the immediate wake of Entombed and confirmed that Stockholm was truly the epicenter of a…
With Houdini, released in 1993, the Melvins delivered their first album on a major label, Atlantic Records, at the height of the…
Released in 1997, Visions is one of the most emblematic albums by the Finnish band Stratovarius. It embodies the peak of the…