H2O: Thicker Than Water
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
Hard to be more explicit: with Runnin’ Wild, in 2007, Airbourne storm out of Warrnambool, a small coastal Australian town, with a…
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100), but the gap with the public marks it as divisive.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
79/100 across twenty reviews: the drone kings' self-titled album, a mass of low frequencies.
83/100: the improbable return of the 1990s chaotic-metalcore pioneers.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
81/100: the Canadian tech-death masters hold their rank.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
79/100: the English goth/doom godfathers confirm a second youth.
81/100: the inventors of European power metal, reunited, keep the flame.
80/100: the English progressive-sludge outfit confirm the hype.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: death metal's fastest Canadians push the tempo limits again.
83/100: the Canadian polymath delivers another oversized, generous opus.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
82/100: Finnish pagan black metal in all its epic splendour.
83/100: the English weave atmospheric black metal steeped in landscape and history.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
79/100: the English godfathers who named black metal keep the house standing.
80/100: Stu Folsom's "death western", dusty thrash and dried blood.
79/100 across eight reviews: the Angelenos push their industrial noise toward apocalyptic pop.
82/100 across ten reviews: the Texan quartet blow in a gust of raging, clever punk.
82/100 across ten reviews: the meeting of Sumac's tectonic sludge and Moor Mother's poetry.
79/100 across sixteen reviews: the Britons with the impossible name impose their colossal stoner-noise.
83/100: the Californian melodic-hardcore veterans hit true and hard.
79/100: the Tennessee deathcore kings reconnect with pure brutality.
The opening shot: a telluric, savage sludge, already of rare power.
Bane arrives with a debut that never fakes it.