Trapped Under Ice: Big Kiss Goodnight
By the time Trapped Under Ice released Big Kiss Goodnight in 2011, the Baltimore band had already proven it belonged among the…
By the time Trapped Under Ice released Big Kiss Goodnight in 2011, the Baltimore band had already proven it belonged among the…
There is in metalcore a lineage of bands that refuse darkness in favor of light, and The Ghost Inside is one of…
Some records do not seek to charm but to impose their law. Master Killer, released in 1996 by the New Yorkers of…
When Earth Crisis released their first full length album in 1995, straight edge hardcore finally had its most uncompromising manifesto. Coming out…
There is a delicate art in melodic hardcore: that of marrying power and light, rage and soaring. Ignite has mastered that balance…
While straight edge asserted itself mostly on the East Coast, California brought its own stone to the edifice with bands like Uniform…
Few bands have left a mark as deep in as little time as Chain of Strength. True Till Death gathers the essence…
Some records embody a junction all by themselves, a point of contact between two worlds. Born to Expire, released in 1989, is…
When Brightside arrived in 1989, the New York hardcore scene had already delivered several of its foundational records, yet few of them…
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
Hard to be more explicit: with Runnin’ Wild, in 2007, Airbourne storm out of Warrnambool, a small coastal Australian town, with a…
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100), but the gap with the public marks it as divisive.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
79/100 across twenty reviews: the drone kings' self-titled album, a mass of low frequencies.
83/100: the improbable return of the 1990s chaotic-metalcore pioneers.
83/100: the French mad scientist returns, between metal, baroque and breakcore.
81/100: the Canadian tech-death masters hold their rank.
81/100: the Californians' atmospheric, cosmic death metal regains its shine.
79/100: the English goth/doom godfathers confirm a second youth.
81/100: the inventors of European power metal, reunited, keep the flame.
80/100: the English progressive-sludge outfit confirm the hype.
83/100: the Scots confirm their place atop modern European metalcore.
80/100: the English melodic thrash/death crew confirm their metronome consistency.
83/100: death metal's fastest Canadians push the tempo limits again.
83/100: the Canadian polymath delivers another oversized, generous opus.
83/100: the Québécois prog-thrash legends re-orchestrate their catalogue with a symphony orchestra.
79/100: after announcing the end, the Brazilians deliver an honourable last chapter.
80/100: the Norwegian veterans keep morphing into gleefully filthy heavy/black.
82/100: Finnish pagan black metal in all its epic splendour.
83/100: the English weave atmospheric black metal steeped in landscape and history.
83/100: Andy Marshall's Caledonian metal, between atmospheric black and Scottish folklore.
79/100: Nate Garrett's melodic heavy/doom keeps aiming high.
83/100: the Canadian trio sculpt silence and saturation with devastating intensity.
79/100 across ten reviews: the Americans' dreamlike psychedelic doom still enchants.
79/100: the English godfathers who named black metal keep the house standing.