Deafheaven: Lonely People With Power
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
83/100 across twenty-one reviews: the blackgaze pioneers reconnect with fury.
89/100: the new benchmark for modern metalcore, driven by Courtney LaPlante's extraordinary voice.
87/100 across nineteen reviews: the alternative-metal masters return to near-unanimous acclaim.
Bordeaux tech-death dares to be vulnerable. The craft is unanimous; the pacing divides.
From Elton John to Dying Fetus, twenty-two wildly uneven reworks: not an album, a flex.
Karevik masterful, formula unchanged: press splits (8/10 vs 2.5/5), consensus lands at 6.5.
Beartooth's pop-rock turn: press applauds (77/100), fans grumble (59/100). Divisive, therefore interesting.
Press applauds (77/100), listeners check out (49/100). The season's biggest gap.
Mastodon's first post-Hinds album is an acclaimed grief record (83/100 Metacritic), cathartic and often magnificent.
The season's best-reviewed record: 83/100, zero reservations. Instrumental post-metal at its peak.
Rapturous early reviews: "the fury has metastasized". Out September 4.
Trilogy finale bordering on critical genuflection: 9.8/10 at Sonic Perspectives. Out September 4.
Denmark's blackgaze spearhead delivers one of the year's highest-rated records (85/100), but the gap with the public marks it as divisive.
Hard to be more explicit: with Runnin’ Wild, in 2007, Airbourne storm out of Warrnambool, a small coastal Australian town, with a…
Two years after a debut that had won everyone over, Airbourne go again in 2010 with No Guts. No Glory. The principle…
Third album, in 2013, Black Dog Barking finds Airbourne exactly where we left them: foot on the accelerator, cap screwed on tight…
Fourth album, in 2016, Breakin’ Outta Hell sees Airbourne tighten the bolts after a Black Dog Barking judged a little routine. The…
Fifth album, in 2019, Boneshaker extends Airbourne’s trajectory without deviating one iota. Produced by Dave Cobb, it is the band’s shortest and…
Few records distill an entire scene into a handful of songs. The Age of Quarrel, released in 1986, is one of them.…
Some records do not just deliver music, they draw a map. Victim in Pain, released in 1984, is one of them. In…
By 1994, Sick of It All was no longer a well kept secret of the Lower East Side. The band was carrying…
Some records are a punch in the face, others a burst of sunshine. Start Today, released in 1989, belongs to that rare…
Some records define a movement so completely that they become its face. Break Down the Walls, released in 1986, is one of…
If youth crew had a bright, fraternal side, Judge embodied its dark half, the cold anger and the conviction pushed all the…
How do you sum up a band that seems to contain several universes at once? With I Against I, released in 1986,…
Few bands have left a mark as deep in as little time as Minor Threat. Out of Step, released in 1983, condenses…
There are records that do not merely exist: they blow a hole in the wall. Damaged, released in 1981, is one of…
By the late nineties, New York hardcore was looking for new faces, more melodic, more open, without disowning its roots. H2O embody…
Some album titles ring out like oaths. Don’t Forget the Struggle Don’t Forget the Streets, released in 1988, is one of them:…
When Brightside arrived in 1989, the New York hardcore scene had already delivered several of its foundational records, yet few of them…
Some records embody a junction all by themselves, a point of contact between two worlds. Born to Expire, released in 1989, is…
Speak Out, released in 1988, sits at the heart of the youth crew wave that was then redefining American hardcore. Bold, a…
Few bands have left a mark as deep in as little time as Chain of Strength. True Till Death gathers the essence…
Some bands vanish too soon to reap in their lifetime the recognition they deserve. Turning Point belongs to that category. Its Always…
There are records whose brevity in no way diminishes their reach. No Spiritual Surrender, the sole studio recording of Inside Out released…
While straight edge asserted itself mostly on the East Coast, California brought its own stone to the edifice with bands like Uniform…