Rise Of The Northstar — Chapter 04: Red Falcon Super Battle! Neo Paris War!!
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Grave Noise at 7.5, Kerrang! at 3/5: unique in the world, yet familiar. The Paris blade cuts a 7.
Press anoints it (85/100), public checks out (65): the year's widest critics-fans gap.
Killer hooks for the press (8.5/10 at Blabbermouth), 53/100 from the public. The great symphonic split.
More metal, less prog: the press wavers (8/10 vs 5/10), the fanbase checks out. See you at Le Rex in December.
Symphonic deathcore with hooks: 9/10 on one side, 2.5/5 on the other. The genre glares at itself.
Mustaine's goodbye: 62/100 from critics, 48 from the public. Stumbling off the stage.
Thirteen years of waiting, 78/100, press and public aligned: "the bar for progressive metal in 2026" per Metal Hammer.
Three 9/10s and a « modern classic » tag: symphonic black metal gets its delusions of grandeur back. 84/100.
Three perfect scores and 87/100 across 13 reviews: hardcore's elder statesmen still have no rival.
Four 9/10s and a trip into "the obsidian kaleidoscope": 87/100, the winter's extreme-metal peak.
Winning comeback at 74/100: Zombie's industrial B-movie "rocks like an absolute motherfucker". Only Pitchfork pouts.
Eleven reviews, 81/100: the best Lamb Of God since Wrath, and almost nobody argues otherwise.
Cathartic black metal goes luminous metalcore: press won over (74), faithful betrayed (60). Debate open.
Resurrection with Aaron Turner, 89/100: 2026's best-rated metal record is a Neurosis album.
Seventeen years away, 80/100 on arrival: the year's best-received metalcore comeback.
Thirty-five years, zero drop-off: 85/100 for a direct and devastating death metal statement.
"Heavy as fuck": 78/100 for the Floridian demolition machine, tried-and-true formula included.
First UK number one of their career and 76/100: the Welsh "punky reggae party" gets almost everyone dancing.
Zero surprises, ferocious execution: 75/100 for veterans proving hardcore is in rude health.
Tompa Lindberg's posthumous farewell: 85/100, Kerrang! and AMG at full marks. Exit through the front door.
The press hails the comeback (4/5 at Kerrang!), AMG fires a 2/5: round ten for the metalcore veterans.
Eight years away, back at 81/100: the symphonic black throne reclaimed, the scissors forgotten.
Press applauds (74), public sulks (58): Shinedown's most ambitious record is also its most divisive.
Ohio's sludgy death metal wallows gleefully in the muck: 79/100 for a record as filthy as it is fun.
The Belgian steamroller invites its peers to a gore feast: 79/100 for a death metal as swift as it is well-signposted.
The insatiable Japanese replay their riff library with glee: 80/100 for a third "Heavy Rocks".
British rage turns more hymnal without losing its bite: 82/100 for an ambitious metalcore.
The architects of technical death metal hold their course: 80/100 for a controlled return.
The Britons widen their brutality without betraying it: 80/100 for a finely crafted deathcore.
The Dutch band's diaphanous melancholy reaches its purest form: 82/100 for a blackgaze of mist.
Hardcore meets the gothic: 84/100 for a collaboration as improbable as it is spellbinding.
Violence in the service of a message: 83/100 for a British death metal as ferocious as it is lucid.
Chaos and grace in a single breath: 86/100 for the culmination of a twenty-year mutation.
Norwegian black metal pared back to its icy open sea: 80/100 for a convincing first record after Abbath.
The calculated chaos of mathcore reaches peaks of aggression: 82/100 for a suffocating record.
The Norwegians confirm their supercharged hardcore pop punk: 80/100 for an explosive, melodic record.