82/100 across ten reviews. Two worlds collide: the massive, improvised sludge/post-metal of Sumac (Aaron Turner) and the incandescent free-jazz-poetry of Moor Mother. The Film is less an album than a confrontation, raw and hypnotic.
The press hails a radical, demanding work at the edges of metal, improv and spoken word. Not easy — deeply striking. Rating: 8.
